Willow Weep for Me [Bonus Tracks]

Read About This Recording

One of the all-time great jazz guitarists, Wes Montgomery became a highly influential force even though he made nearly all of his recordings within the nine-year period of 1959-68.

Born in 1925, Montgomery did not seriously start playing guitar until he was 18. Other than touring with Lionel Hampton's big band during 1948-50, he spent many years in his native Indianapolis, working a day job while also playing music at night. In 1957, he recorded with his brothers vibraphonist Buddy Montgomery and electric bassist Monk Montgomery but it was in 1959 that he really emerged. His recordings for the Riverside label during 1959-63 established him as a brilliant straightahead soloist who often played fast octaves. Switching to the Verve label during 1964-66, Montgomery balanced some commercial projects with stronger jazz dates. His final three albums, for A&M (1967-68), were essentially melodic pop music, showcasing Montgomery's pretty tone and octaves while he mostly just played the melodies. The latter records became major sellers and fixtures on AM radio. Montgomery's unexpected death in 1968 from a heart attack at age 43 cut short his success but he still remains very influential.

After his death, the music on Willow Weep For Me was unearthed. Montgomery is featured with pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb on seven numbers, including four that have arrangements for wind and brass sections by Claus Ogerman. The music is both creative jazz and easy-listening with the highlights including a burning version of Impressions, Portrait Of Jennie and Four On Six.

Wes belongs in every collection.

-Scott Yanow

Contents

1969 Grammy