In contrast to BMG's mid-priced single disc swing compilations, which are centered on the biggest hits, this mid-priced, 44 track (134 minute), double-disc set is pitched toward the more serious fan. That doesn't mean that it isn't also great fun -- just that there's a lot more to learn here. Alongside the early cuts here by Ellington, Armstrong, Goodman, Basie, Cab Calloway, Artie Shaw and other luminaries, listeners will find an array of musicians that haven't been popular in half a century or more, including Benson's Orchestra of Chicago ("I Never Miss The Sunshine"), Carlton Coon & Joe Sanders ("High Fever"), Jean Goldkette ("I'm Gonna Meet My Sweetie Now"), Charlie Johnson ("The Charlston Is the Best Dance of All"), Harlan Leonard ("A-La-Bridges") and Willie Bryant ("The Sheik of Araby"), not to mention curiosities such as "Strange Enchantment," the earliest known Gil Evans arrangement on record, as cut by Skinnay Ennis leading what had been the Evans Orchestra. Bob Crosby alumnus, Bob Zurke, a boogie-woogie influenced pianist whose short-lived career yielded a furiously rambunctious "Tea for Two" is also featured here. Producer Orrin Keepnews has stretched the envelope a bit here to include dance bands and orchestras that delved effectively into swing only occasionally, as well as true iconoclasts like Zurke -- in tandem with annotator Loren Schoenberg, he spotlights undeservedly forgotten figures such as tenorman Henry Bridges and trombonist Fred Beckett ("A-La-Bridges"), and also makes a fresh plea for respect on behalf of such once-famous and now derided figures such as Paul Whiteman. The sound has been discreetly and elegantly CEDAR-processed for clarity and no loss of impact. ~ Bruce Eder, All Music Guide
Although one might think of the Swing era as beginning with Benny Goodman in 1935, this exciting two CD set shows that big bands were a major part of jazz almost from the beginning. The 44 selections included of the twofer feature 43 big bands (Duke Ellington appears twice) in loosely chronological order, covering a 30-year period. Rather than picking the usual hits, the material (taken from RCA's vaults) is full of offbeat but representative selections and many lesser-known orchestras are represented. In addition to the expected bands (including Ellington, Goodman, Fletcher Henderson, Cab Calloway, Artie Shaw and Glenn Miller), such groups as Benson's Orchestra, Paul Howard's Quality Serenaders, Joe Haymes, Isham Jones, Boots and His Buddies, Skinnay Ennis, Sam Donahue, Bob Zurke and the Sauter-Finegan Orchestra are also heard from. The music is consistently enjoyable, historic, hot and swinging.
-Scott Yanow
Saturday Night Function; Variety Stomp; Lonely Melody; Two Tickets to Georgia; McKinney's Cotton Pickers; Talk To Me; That Too Do; Margie; Sugar Foot Stomp; Frankie and Johnny; Rose Room; Yellow Fire; Rhapsody In Blue; Hallelujah; Wonderful Thing; I've Got The World On A String; plus 30 more!
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