The 32Jazz label, under the leadership of Joel Dorn, continues to release compilations designed to fit a particular mood or state of being. Thus there have been albums as Jazz for a Rainy Afternoon, Groove Jammy, and Songs That Made the Phone Light Up. Now we have an album dedicated to being alone, not loneliness as Dorn explains his in liner notes. But with this play list, the line between the two gets really blurred. Whatever, this is a comprehensive collection of tracks by the top jazz luminaries for albums they cut for the now defunct Muse label and all of them are outstanding regardless of the mood you're in. The Sonny Stitt performance of "Sweet and Lovely" is one of the album's highlights as his sax works in, out, under, and through the piano of Duke Jordan and Sam Jones' bass. The credits list Stitt playing a soprano, but it's the alto he has in his hands for introspective blowing of this classic standard. Wallace Roney is the ostensible leader on "Lost." But his Miles Davis-like trumpet is subordinated to the classical oriented piano of Jacky Terrasson who penned this song. Donald Byrd, sounding even more like Miles than Roney, is united with Joe Henderson for a ruminative rendering of his "That's all There Is to Love." A memorable track is Houston Person's "Everything Happens to Me." Not only does Person's Ben Webster influenced tenor fit nicely with the tune's theme, but there's major soloing by Cecil Bridgewater's muted trumpet and the under recorded Stan Hope piano. The quintessential "alone" song, Thelonious Monk's "'Round Midnight," has been assigned to major electric guitar improviser Larry Coryell who gets considerable assistance along the way from Stanley Cowell's piano. Phil Woods creates a vision of a summer ending with "The Summer Knows" as his engages in musical discussion with bass player Richard Davis. Woods, and all the other artists on this album, are in fine fettle resulting in another superior compilation from jazz impresario Dorn's 32Jazz label. ~ Dave Nathan, All Music Guide
Jazz, as with the most rewarding and timeless art forms, covers all types of emotions. The performances of jazz musicians and singers can make one laugh or cry, be joyful or wistful and can inspire nostalgia, new revelations or sensual feelings. Because jazz ranges in styles from Dixieland to free improvisations, swing to fusion, it can serve virtually any purpose.
This disc is a mood music collection originally compiled in the late 1990s. Nearly 40 years earlier, the Moodsville label (a subsidiary of Prestige) released quite a few sets by top jazz artists playing ballads at slow and relaxed tempos. This recording has the same idea except that it is a multi-artist collection (with each selection showcasing a different jazz musician) and most of the music dates from the 1970s and '80s. The CD is full of performances that succeed as backgrounds for either romantic situations or for one's solitary thoughts.
Jazz for When You're Alone starts with a gentle ballad by tenor-saxophonist Willis Jackson and then includes one number apiece from pianists Red Garland ("The Second Time Around") and Les McCann, saxophonists Houston Person, Sonny Stitt ("Sweet and Lovely"), Vincent Herring and Phil Woods (a haunting "The Summer Knows"), guitarists Larry Coryell and Pat Martino and trumpeters Wallace Roney and Donald Byrd. Sidemen include pianists Jaki Byard and Jacky Terrasson and tenor-saxophonist Joe Henderson.
This collection was very popular when it was released and the performances communicate just as well now as they did a decade ago. They even succeed when one is not alone!
—Scott Yanow
Willis Jackson/Pat Martino: Blue Velvet; Red Garland: The Second Time Around; Houston Person: Everything Happens to Me; Les McCann: Sunny; Larry Coryell: Around Midnight; Sonny Stitt: Sweet and Lovely; Wallace Roney: Lost; Vincent Herring: Stars Fell on Alabama; Donald Byrd: That's All There is to Love; Phil Woods: The Summer Knows; Pat Martino: You Don't Know What Love Is.
| Album Credits | |
Performance Credits |
|
| Al Foster | Drums |
| Alan Dawson | Drums |
| Beaver Harris | Drums |
| Bob Cranshaw | Bass |
| Buster Williams | Bass |
| Carl Allen | Drums |
| Donald Byrd | Flugelhorn |
| Duke Jordan | Piano |
| Eric Allen | Drums |
| Frank Severino | Drums |
| Frederick Waits | Drums |
| Gil Goldstein | Piano |
| Grady Tate | Drums |
| Houston Person | Sax (Tenor) |
| Ira Coleman | Bass |
| Jacky Terrasson | Piano |
| Jaki Byard | Piano |
| Joe Henderson | Sax (Tenor) |
| Larry Coryell | Guitar |
| Leroy Vinnegar | Bass |
| Les McCann | Piano |
| Mickey Tucker | Piano |
| Mulgrew Miller | Piano |
| Pat Martino | Guitar |
| Peter Washington | Bass |
| Phil Woods | Sax (Alto) |
| Red Garland | Piano |
| Richard Davis | Bass |
| Richard Landrum | Conga |
| Roy Brooks | Drums |
| Sam Jones | Bass |
| Sonny Morgan | Percussion |
| Sonny Stitt | Sax (Soprano) |
| Stan Hope | Piano |
| Stanley Cowell | Piano |
| Vincent Herring | Sax (Alto) |
| Wallace Roney | Trumpet |
| Willis "Gator" Jackson | Sax (Tenor) |
Technical Credits |
|
| Adam Dorn | Producer |
| Don Schlitten | Producer |
| Don Sickler | Producer |
| Ed Freeman | Producer |
| Joel Dorn | Producer |
| Orrin Keepnews | Producer |