Once again, Legacy has taken one of Thelonious Monk's seminal Columbia albums -- this one named for its timing with the appearance of his face upon a Time magazine cover about the same time the album was released and featuring three brand-new compositions -- and given it the expert care and concern treatment, making of it, as in the case of Underground, Solo Monk, and Criss-Cross, a startlingly new document. Here are nine cuts instead of six, all of which are restored to their original lengths -- space restrictions for a single LP necessitated editing on some of the tracks. In addition, there are two unreleased items in alternate take form: "Shuffle Boil" (along with "Stuffy Turkey" and "Brake's Shake," it is one the new tunes) and "Nice Work if You Can Get It." This is the Monk Quartet that featured Charlie Rouse and bassist Butch Warren, and introduced Ben Riley to the Monk fold. The new rhythmic equations Riley brought to the band are everywhere evident here, particularly in the long remake of "Epistrophy." This is an almost curious set in that it opens with two solo pieces, "Lulu's Back in Town" and "Memories of You." On the former, Monk's beginnings are revealed in his fascination with stride piano phrasing and rhythm, and in the latter, his continuing admiration of Duke Ellington and Billy Strayhorn is on display. The way he structures his single-note runs just behind the beat so that rhythmic syntax is established before the melody comes right from the Ellington book. When the band does enter, as it does on "Stuffy Turkey" with its loping groove and blues, entire worlds have been created, destroyed, and reincarnated in another harmonic image. In addition to the extra music and fine sound, It's Monk's Time features a fine essay by piano great Dick Katz and fine session photos. ~ Thom Jurek, All Music Guide
One of the geniuses of American music, Thelonious Monk was a completely original pianist and composer throughout his career. Although a bit influenced by Teddy Wilson and James P. Johnson in his earliest days and often considered one of the founders of bebop, Monk sounded like no one else by the time he made his first studio recordings in 1944. His chord voicings were unique, he could play stride piano in a very sparse and futuristic way and his compositions were considered so complex that, even during the Bop Era (despite "'Round Midnight" becoming a standard), the most adventurous beboppers generally avoided his music.
So, as was typical of Monk, he did the unpredictable and largely stayed the same throughout his career. It took 10 years but, finally in 1957, the jazz world caught up with Thelonious and he began to receive the acclaim that he deserved by the mid-1940s. Monk became one of the most famous of all jazz musicians, even making the cover of Time Magazine in 1964, without watering down or simplifying his music. He remained a vital force until his retirement in the mid-1970s and, since his death, his influence and fame have grown even more.
It's Monk’s Time dates from 1964 and has Butch Warren on bass. Expanded from the original LP with the inclusion of three additional numbers, the music has the looseness and spontaneity of a live set. Monk and Charlie Rouse are in top form on "Lulu's Back in Town" and "Shuffle Boil" while Thelonious takes "Memories of You" and "Nice Work if You Can Get It" as charming and nostalgic piano solos.
The typically unique compositions and solos of Thelonious Monk result in quite a bit of wonderful music on this enjoyable release.
—Scott Yanow
It's Monk's Time was recorded when the great composer-pianist's time had truly come. Monk's third Columbia album was the result of four sessions from January to March 1964 - roughly concurrent with the moment when he became an overnight sensation as the subject of a Time magazine (Feb. 28, 1964) cover profile. But if Monk (1917-1982) had at long last crashed middlebrow culture, his work showed no signs of abandoning its unique time zone. Of all his Columbia studio dates, the one, and 1967-68's Underground, feature some of his quartet's most purposefully extended performances. It's Monk's Time, which introduced drummer Ben Riley to the band (he would remain in the fold for the next five years), contains three new originals: Stuffy Turkey, Shuffle Boil and Brake's Sake. There's also a delightful evocation of Monk's stride piano roots at the outset of Lulu's Back in Tow. Now expanded to nine numbers with the additions of two alternate takes (one previously unissued), plus a complete Epistrophy, Monk's longtime closing theme, It's Monk's Time is further graced by an essay from the respected pianist Dick Katz.
Lulu's Back in Town; Memories of You; Stuffy Turkey; Brake's Sake; Nice Work if You Can Get It*; Shuffle Boil*; Epistrophy*.
(*Includes previously unreleased takes.)
Thelonious Monk, Piano; Ben Riley, Drums; Charlie Rouse, Tenor Sax; Butch Warren, Bass.
Jazz masterpiece
| Album Credits | |
Performance Credits |
|
| Ben Riley | Drums |
| Butch Warren | Bass |
| Charlie Rouse | Sax (Tenor) |
| Thelonious Monk | Piano |
Technical Credits |
|
| Darren Salmieri | A&R |
| Dick Katz | Liner Notes |
| Don Hunstein | Photography |
| Fong Y. Lee | Packaging Manager |
| Fr. Norman O'Connor | Liner Notes |
| Howard Fritzson | Reissue Art Director |
| Jim Marshall | Cover Photo |
| Liz Reilly | Photo Research |
| Mark Wilder | Mastering |
| Orrin Keepnews | Liner Notes |
| Randall Martin | Reissue Design |
| Seth Foster | Assistant Engineer |
| Seth Rothstein | Project Director |
| Steven Berkowitz | A&R |
| Ted Macero | Producer |