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Time Out

Time Out

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Review

Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move -- Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond's ubiquitous "Take Five," Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That's a testament to Brubeck and Desmond's abilities as composers, because Time Out is full of challenges both subtle and overt -- it's just that they're not jarring. Brubeck's classic {"Blue Rondo à la Turk"} blends jazz with classical form and Turkish folk rhythms, while "Take Five," despite its overexposure, really is a masterpiece; listen to how well Desmond's solo phrasing fits the 5/4 meter, and how much Joe Morello's drum solo bends time without getting lost. The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics. Some have come to disdain Time Out as it's become increasingly synonymous with upscale coffeehouse ambience, but as someone once said of Shakespeare, it's really very good in spite of the people who like it. It doesn't just sound sophisticated -- it really is sophisticated music, which lends itself to cerebral appreciation, yet never stops swinging. Countless other musicians built on its pioneering experiments, yet it's amazingly accessible for all its advanced thinking, a rare feat in any art form. This belongs in even the most rudimentary jazz collection. ~ Steve Huey, All Music Guide

Read About This Recording

As Dave Brubeck writes in his liner notes for this CD reissue, "Creating a 'hit' out of the odd-meter experiments of Time Out was the farthest from any of our minds in 1959 when Paul Desmond, Joe Morello, Eugene Wright and I went into the studio to record."

This is often the great irony of things which become hugely successful and are able to transcend preconceptions, cultural differences, or the marketing of music. Time Out is undeniably a masterpiece which, from the very moment of its release, was able to reach out to the masses, while retaining its genius — a rare combination for a work of art.

Contents

Blue Rondo a la Turk; Strange Meadow Lark; Take Five; Three to Get Ready; Kathy’s Waltz; Everybody's Jumpin’; Pick Up Sticks.

Dave Brubeck, Piano; Paul Desmond, Alto Sax; Eugene Wright, Bass; Joe Morello, Drums.

CD Special Features

• 20-Bit Remastered — Finest Possible Sound!

• A fond reminiscence written by Dave Brubeck.

• Rare & previously unpublished photos of the Quartet.

• Features Paul Desmond, Eugene Wright & Joe Morello.

Tracklist

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Time Out
1. Blue Rondo à la Turk 6:46
2. Strange Meadow Lark 7:24
3. Take Five 5:26
4. Three to Get Ready 5:25
5. Kathy's Waltz 4:50
6. Everybody's Jumpin' 4:24
7. Pick Up Sticks 4:16

Details and Credits

Product Details
  • Label: Col
  • Release date: 1959
  • Instrumental, Enhanced CD-ROM
Styles
  • West Coast Jazz
  • Cool
Album Credits
Performance Credits
Dave Brubeck Piano
Eugene Wright Bass
Joe Morello Drums
Paul Desmond Sax (Alto)
Technical Credits
Cozbi Sanchez-Cabrera Art Direction
Don Hunstein Photography
Fred Plaut Engineer
Gina Bello Design Assistant
Jennifer Ebert Packaging Manager
Kevin Gore Reissue
Mark Wilder Engineer
Patti Matheny A&R
Randall Martin Reissue Design
Rene Arsenault Production Assistant
Russell Gloyd Producer
Seth Rothstein Project Director
Steve Race Liner Notes
Steven Berkowitz Reissue
Ted Macero Producer
Teo Macero Producer
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