This excellent outing by the 1961 edition of Stan Kenton's orchestra has one classic (Bill Holman's arrangement of "Malaguena"), a superior solo by altoist Gabe Baltazar on "Stairway to the Stars," a feature for Ray Starling's Mellophonium ("Misty"), a good workout by veteran tenor Sam Donahue on "Body and Soul," Holman's reworking of "Limehouse Blues," and two colorful Dee Barton composition/arrangements. This well-rounded LP (which also has some solos by trumpeter Marvin Stamm) is one of Kenton's best of the era. [A 1999 reissue by Blue Note added three bonus tracks and remixed sound.] ~ Scott Yanow, All Music Guide
Stan Kenton's big band sound was truly an exciting adventure in jazz similar to a wild roller coaster ride filled with breathtaking deep harmonies and speedy melodic turns. While most bands of his day dealt with a smooth sound conducive to dancing, Kenton takes a more aggressive approach. His trumpets are screaming so loud, they reach the sky backed by a host of strong saxophones and rich trombone rhythms.
His unique process of instrument layering introduced a more progressive sound with lush improvisations that added a new element to the stylings of big bands. This is the great sound that made Kenton a cult hero. Granted, his music isn't for dancing but it jumps with blaring rhythms and harmonies that come together like the blazing sun in a cloudless blue sky. This is an adventurous orchestra that despite their no dancing clause, they swing with more intensity than Babe Ruth's bat.
-Ron Scott
Turtle Talk; Stairway to the Stars; Limehouse Blues; Malaguena; Misty; Waltz of the Prophets; Body and Soul; It Might As Well Be Spring*; Waltz of the Prophets*; Body and Soul*.
(*Bonus track.)
Stan Kenton, Piano/Conductor; Dalton Smith, Marvin Stamm, Bob Behrendt, Bob Rolfe, Norman Baltazar, Bud Brisbois, Trumpets; Bob Fitzpatrick, Dee Barton, Bud Parker, Jack Spurlock, Trombones; Jim Amlotte, Bass Trombone; Dave Wheeler, Bass Trombone, Tuba; Dwight Carver, Keith La Motte, Ray Starling, Carl Saunders, Gene Roland, Mellophoniums; Gabe Baltazar, Alto Sax; Sam Donahue, Buddy Arnold, Paul Renzi, Tenor Saxes; Allan Beutler, Marvin Holladay, Baritone Saxes; Joel Kaye, Wayne Dunstan, Bass Saxes; Pat Senatore, Red Mitchell, Basses; Jerry McKenzie, Drums.
| Album Credits | |
Performance Credits |
|
| Drums | |
| Allan Beutler | Sax (Baritone) |
| Bob Behrendt | Trumpet |
| Bob Fitzpatrick | Trombone |
| Bob Rolfe | Trumpet |
| Bud Brisbois | Trumpet |
| Bud Parker | Trombone |
| Buddy Arnold | Sax (Tenor) |
| Carl Saunders | Mellophonium |
| Dalton Smith | Trumpet |
| Dave Wheeler | Tuba |
| Dee Barton | Trombone |
| Dwight Carver | Mellophonium |
| Gabe Baltazar | Sax (Alto) |
| Jack Spurlock | Trombone |
| Jerry McKenzie | Drums |
| Jim Amlotte | Trombone (Bass) |
| Joel Kaye | Sax (Baritone) |
| Keith LaMotte | Mellophonium |
| Marvin Holladay | Sax (Baritone) |
| Marvin Stamm | Trumpet |
| Norman Baltazar | Trumpet |
| Pat Senatore | Bass |
| Paul Renzi | Sax (Tenor) |
| Ray Starling | Mellophonium |
| Red Mitchell | Bass |
| Sam Donohue | Sax (Tenor) |
| Stan Kenton | Piano |
| Wayne Dunstan | Sax (Bass) |
Technical Credits |
|
| Bill Holman | Arranger |
| Gene Roland | Arranger |
| Lee Gillette | Producer |
| Lennie Niehaus | Arranger |
| Michael Cuscuna | Reissue Producer |
| Patrick Roques | Redesign |
| Ron McMaster | Mastering |
| Sam Donahue | Arranger |