The music on this double CD, released domestically for the first time in 1997, was only previously out in Japan and was formerly among the rarest of Miles Davis recordings. Featured is one of the trumpeter's most controversial bands, a noisy ensemble with three guitarists (Reggie Lucas, Pete Cosey, and Dominique Gaumont), electric bassist Michael Henderson, drummer Al Foster, percussionist Mtume, Dave Liebman on tenor, soprano, and flute, and guest tenorman Azar Lawrence. The spontaneous music has plenty of repetitive funk sounds from the guitars and bits of aimless rambling, along with some strong moments from Davis and Liebman. If drastically edited, the double CD would have made a killer single disc, for there are some very interesting stretches when magic occurs, but these are often succeeded by overlong vamps. Worth checking out, but not essential. ~ Scott Yanow, All Music Guide
Miles Davis lived inside the music, which is what one has to do to become a legendary master. He set the jazz pace and standard for five decades. Miles was always looking for new innovative territory to explore and being a musical genius, he successfully located those unheard of sounds. Ironically his innovations always left fodder for his critics. They took most of their shots upon his introduction of fusion-jazz that they called pure noise.
This is Miles: Dark Magus—Live at Carnegie Hall (1974), a two record set of live, in your face, improvisational jazz-fusion. The historic New York City hall was sold out, and even though Miles was an hour late, no one dared to leave. This was a sacred evening the Miles Davis experience. He had already captured the college crowd, the rockers and even the funkateers wanted a taste of this melodic, electronic jazz infested combustion partly influenced by soul rocker Sly Stone. Here he has assembled another group of young protégés from saxophonists Dave Liebman and Azar Lawrence to guitarists Reggie Lucas, Pete Cosey and Dominique Gaumont to drummer Al Foster and percussionist Mtume. The rhythms are wild, the synthesizers blazing and Miles' trumpet is flaming black magic.
—Ron Scott
Cover art displayed on website may vary from product shipped. Please see printed catalog for accurate cover art.
Moja; Wili; Tatu; Nne.
Miles Davis, Trumpet/Organ; Dave Liebman, Flute, Sax; Azar Lawrence, Sax; Reggie Lucas, Peter Cosey, Dominique Gaumont, Guitars; Michael Henderson, Bass; Al Foster, Drums; Mtume, Percussion.
| Album Credits | |
Performance Credits |
|
| Al Foster | Drums |
| Azar Lawrence | Sax (Tenor) |
| David Liebman | Flute |
| Dominique Gaumont | Guitar |
| James Mtume | Percussion |
| Michael Henderson | Bass |
| Michael J. Henderson | Bass (Electric) |
| Miles Davis | Organ |
| Mtume | Percussion |
| Pete Cosey | Guitar |
| Reggie Lucas | Guitar |
Technical Credits |
|
| Bob Belden | Producer |
| Cozbi Sanchez-Cabrera | Art Direction |
| Hope Chasin | Packaging Manager |
| Kevin Gore | ? |
| Patti Matheny | Artist Coordination |
| Randall Martin | Design |
| Rene Arsenault | Associate Producer |
| Sandy Speiser | Photography |
| Seth Foster | Engineer |
| Seth Rothstein | Director |
| Shigeo Anzai | Photography |
| Steven Berkowitz | ? |
| Tamoo Suzuki | Remixing |
| Teo Macero | Producer |
| Teruhisa Tajima | Art Direction |
| Tom "Curly" Ruff | Digital Mastering |
| Urve Kuusik | Photography |