The pairing of premier era-gone-by pianist/crooner Michael Feinstein and the legendary Maynard Ferguson Big Band is such a rousing success that it's surprising the two didn't think of it before. While the set mainly consists of whatever beautiful, offbeat standards Feinstein hasn't yet had the opportunity to record (including the sassy Bobby Troup number "Girl Talk" and the humorous Rodgers & Hart tune "Johnny One Note"), he sums up not only the spirit of this recording but of his whole retro-minded career on the clever original "Swing Is Back in Style." With the 21-piece big band simmering in the background, just waiting to splash in with some playful brass accents, Feinstein chronicles the rock and rap eras and says, essentially, it don't mean a thing if it ain't got that.... While he's always shown talent as a songwriter, his success rises and falls completely on his interpretive style, and here he is in top form from the opening strains of the bold, heavily swinging "Close Your Eyes." Typically on uptempo gems like this, he'll let the band rise as a harmony line, then give it ample time to strut its stuff after the final verse and before the final chorus. Other unique choices are "One Day at a Time," which speaks to the ephemeralness of life (like Gershwin's "Our Love Is Here to Stay," a Feinstein favorite), and "Love Is Nothin' But a Racket." Ferguson mostly leads his explosive ensemble here but occasionally blows solo -- and there's nothin' finer than that. ~ Jonathan Widran, All Music Guide
Throughout his career, Michael Feinstein has usually performed and recorded in intimate settings, making Big City Rhythms a rather unique project.
Feinstein has for decades been the most famous of all cabaret singer-pianists. In 1977, he was hired by Ira Gershwin to organize the Gershwin archives, his main job for the six years before Ira's death. By 1984, when he launched his performing career, Feinstein was an expert on vintage American popular songs. He filled a niche, was always a winning performer and his work has resulted in many formerly obscure songs being rediscovered.
Big City Rhythms is quite unusual for it teams Feinstein with Maynard Ferguson's big band. Ferguson, a phenomenal high note trumpeter since the late 1940s, had led many orchestras since then, ranging from bebop to funk and always featuring his stratospheric notes.
While Maynard Ferguson's band is mostly in a supportive role throughout this 1999 set, Ferguson gets in plenty of blasts. However Feinstein is the main star and he sounds inspired by the band's backing on such tunes as "Close Your Eyes," "Girl Talk," "Swing Is Back In Style" and "Lullaby In Rhythm." He emphasizes songs that he had not previously recorded and the result is an unlikely, but successful, collaboration.
—Scott Yanow>
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Close Your Eyes; The Very Thought of You; Let Me Off Uptown; Girl Talk; You Can't Lose 'em All; One Day At a Time; The Rhythm of the Blues; The One I Love Belongs to Somebody Else; Ev'rything You Want is Here; Johnny One Note; Swing is Back in Style; Love is Nothin' but a Racket; Lullaby in Rhythm; Medley: When Your Lover Has Gone/The Gal That Got Away; New York, New York; How Little We Know.
Michael Feinstein, Vocals, with Maynard Ferguson Big Band.
| Album Credits | |
Performance Credits |
|
| Adolfo Acosta | Trumpet |
| Albie Berk | Drums |
| Alexander Iles | Trombone |
| Bobby Shew | Trumpet |
| Brian Ploeger | Trumpet |
| Brian Stahurski | Bass |
| Bryant Byers | Trombone (Bass) |
| Dan Higgins | Sax (Tenor) |
| Dave Throckmorton | Drums |
| Dennis Budimir | Guitar |
| Earl MacDonald | Piano |
| Gary Foster | Sax (Alto) |
| Jim Brenan | Sax (Tenor) |
| Jim Self | Tuba |
| Larry Bunker | Percussion |
| Matt Catingub | Sax (Alto) |
| Maynard Ferguson | Trumpet |
| Michael Feinstein | Piano |
| Mike Dubaniewicz | Sax (Alto) |
| Reggie Watkins | Trombone |
| Sal Lozano | Sax (Baritone) |
| Tom Garling | Trombone |
| Wayne Bergeron | Trumpet |
Technical Credits |
|
| Alan Broadbent | Arranger |
| Albert Treskin | Design |
| Alexis Davis | Director |
| Allen Sviridoff | Producer |
| Antonio Branco | Stylist |
| Bill Hughes | Music Preparation |
| Bruce Burr | Photography |
| Charles Paakkari | Assistant Engineer |
| Dann Thompson | Assistant Engineer |
| Eddie Karam | Arranger |
| Glen Barros | Executive Producer |
| John Burk | Producer |
| Leslie Ann Jones | Engineer |
| Mort Lindsey | Arranger |
| Patrick Williams | Arranger |
| Paul Stubblebine | Mastering |
| Roger Dong | Portrait Photography |
| Shay Ashula | Make-Up |