Sings Fred Astaire

Review

Though it's sometimes relegated to second or third place among {Tormé}'s best albums of the '50s (behind {Mel Tormé and the Marty Paich Dek-Tette} and It's a Blue World), it's difficult to hear how {Mel Tormé Sings Fred Astaire} can't be the best album of his entire career. Featuring an artist at the peak of his ability and talent, a collection of top-drawer songs from the best pop composers ever, and a swinging ten-piece that forms the perfect accompaniment, Sings Fred Astaire is one of the best up-tempo vocal albums ever recorded. Coming hot on the heels of {Mel Tormé and the Marty Paich Dek-Tette} in 1956, this tribute to Hollywood's most stylish dancer finds {Tormé} obliging with his nimblest and most elegant singing. Even while Marty Paich's band takes "The Way You Look Tonight" and "Cheek to Cheek" at a breakneck pace that Astaire himself would've had trouble with, {Tormé} floats over the top with death-defying vocal acrobatics. He's breezy and sophisticated on "They Can't Take That Away from Me," ecstatic and effervescent on "Top Hat, White Tie and Tails" (matching an exuberant solo by trumpeter Pete Candoli), and even breaks out an affectionate croon for "A Foggy Day." A collection of perfect hard-swinging pop with a few ballads thrown in for good measure makes Sings Fred Astaire a masterpiece of the vocal era. ~ John Bush, All Music Guide

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