Maia Sharp occupies fertile ground on her Concord debut, gathering strands of R&B, pop, and jazz and tying them together with her talent as a singer/songwriter. It many ways her eclectic approach harks back to a number of Sharp's early-'70s influences, like Jackson Browne, James Taylor, and Joni Mitchell. These influences, along with her saxophone work, even evoke the sound and style of these artists. While this may make her difficult to categorize in a contemporary market, it doesn't make her difficult to enjoy. Her airy vocals are buoyed by full, though non-busy, arrangements of electric guitars, saxophones, and percussion. The album opens with "Crimes of the Witness," co-written with the singer's father, Randy Sharp. While the song dates back to 1998-1999, lyrics like, "You pray a prayer and pledge allegiance" strike a contemporary note of patriotism in the summer of 2002. Sharp, however, is more concerned with society's have-nots than with jumping on the bandwagon. Cuts like "Long Way Home" and "Sinners" gravitate closer to traditional singer/songwriter material, concentrating on the ups and downs of relationships. Sharp avoids the usual clichés of the genre, though, by casting a broader net, seeking to universalize the personal. She also writes songs with a strong sense of melody, meaning that a listener can enjoy them even without the lyric sheet. "One Good Reason," for example, with its lovely violin and deeply felt vocal, is achingly beautiful. All this is to say that this album can work in a number of ways: as a fine batch of songs, a solid singer/songwriter effort, or a collection by a lovely vocalist. Whichever category one prefers, Maia Sharp offers something fresh and pleasing. ~ Ronnie D. Lankford, Jr., All Music Guide
Maia Sharp, the daughter of country songwriter Randy Sharp, has emerged as an appealing singer/songwriter herself. Her style, which is touched by jazz, also includes strong country, folk, R&B and pop influences, influenced by James Taylor and Joni Mitchell but standing apart from the field. In addition to her singing, she plays keyboards, guitar, flute and tenor sax.
Born and raised in Southern California, Maia Sharp gained importantly early experience appearing in L.A. acoustic clubs. She made her debut recording, Hardly Glamour, in 1997 and her songs were recorded early on by Cher, Paul Carrack, Kim Richey and Amanda Marshall, among others.
This self-titled CD from 2002 was Maia Sharp's breakthrough album featuring her intelligent lyrics and fine singing. "Crimes of the Witness" was co-written with Randy Sharp and other highlights include "Sinners," "One Good Reason," "Happiness" and "Ghosts." The strong melodies, insightful storytelling, relevant topics, and fine musicianship of the backup band make this one of the best available examples of 21st century singer/songwriting to be heard in recent times.
—Scott Yanow
"In the tradition of great female artists, Karla Bonoff, Bonnie Raitt, Shawn Colvin, Sarah McLachlan ... now enter Maia Sharp." —Art Garfunkel
While supplies last!
Crimes of the Witness; Willing to Burn; Long Way Home; Sinners; Crooked Crown; Lightning; One Good Reason; Happiness; Understudies; Your Own Justice; You Can't Lose Them All; Ghosts.
Maia Sharp, Vocals.
| Album Credits | |
Performance Credits |
|
| Andy Georges | Guitar (Acoustic) |
| Chris Ralles | Percussion |
| Daris Adkins | Guitar (Electric) |
| David Batteau | Guitar |
| Janet Robin | Banjo |
| Jerry Jones | Guitar (Acoustic) |
| Jimmy Earl | Bass |
| Joe Zimmerman | Bass |
| Jonatha Brooke | Vocals (Background) |
| Joshua Segal | Violin |
| Maia Sharp | Organ |
| Mark Addison | Piano |
| Mark Lennon | Vocals (Background) |
| Randy Sharp | Guitar (Acoustic) |
| Ronnie Manaog | Drums |
Technical Credits |
|
| Abbey Anna | Art Direction |
| Andrea R. Nelson | Art Direction |
| Bernie Grundman | Mastering |
| Glen Barros | Executive Producer |
| John Burk | Executive Producer |
| Michael James | Mixing |
| Mitch Tobias | Photography |
| Sharon Bays | Photography |
| Valerie Whitesell | Production Coordination |