The proposition of deep freezing a late-'50s gig by Louis Prima and Keely Smith with accompaniment by Sam Butera & the Witnesses -- which usually earned its tag, no small praise, as the Wildest Show in Vegas -- and thawing it nearly 50 years later is a risky one; specifically, it risks losing most of the energy that made the show so special in the first place. Nevertheless, when Keely Smith's booking agent, Allen Sviridoff, suggested that she resurrect the sound and feel of a vintage Prima/Smith show for a live appearance, she agreed. Recorded for the Concord label, Vegas '58 -- Today can't help but pale next to the real thing. Most importantly, absent are Prima's volcanic performance personality and Butera's powerful band; in the show, Smith functioned as a cool flame, an able foil for all the exuberant action going on around her. Her 2004 band is energetic and powerful enough, and they do a solid job of recycling some of Prima's own arrangements for his standards like "Basin Street Blues," "Lazy River," "Jump, Jive, an' Wail," and "That Old Black Magic." And Smith makes the date as loose as her old shows with Prima, laughing and giggling and even good-naturedly sharing her possible lack of judgment in trying to reprise Prima's vocal performances herself (which she then confirms by performing them). She does still shine on the material she performed with the classic show, such as "Don't Take Your Love from Me," "That Old Black Magic," and a breathless closer, "What Kind of Fool Am I?" ~ John Bush, All Music Guide
During the second half of the 1950s, Louis Prima, Keely Smith and Sam Butera & The Witnesses teamed together to make music history. Their Las Vegas shows, billed accurately as "The Wildest Shows In Vegas," combined together swing standards, Prima's dixieland trumpet, Butera's honking R&B tenor, Keely Smith's ballad vocals, a shuffling rhythm, Italian humor and a rock and roll sensibility in very winning fashion.
Through the years, Keely Smith has been best known for her warm voice and sensitive renditions of lyrics. In 2004, she revived the format she had had with her former husband for this happy live recording. She performs several of Prima's classic settings (including "Jump, Jive an' Wail," "Lazy River" and a medley of "I Wish You Love" and "That Old Black Magic") along with a few ballads. In addition, her talking to the audience is humorous and informative.
With fine backup from an excellent band, Keely Smith is in excellent form throughout Vegas '58 which is arguably her finest recording since her Louis Prima days.
—Scott Yanow
Vocal diva Keely Smith takes a trip down memory lane in a musical joy ride through Las Vegas, circa 1958. And, as Lady Luck would have it, Keely invites listeners and dancers along for the exhilarating ride. Revisiting and reinventing the songs that she and iconic entertainer Louis Prima popularized during their celebrated reign of the desert oasis, the Queen of Swing affectionately looks back while swinging ahead in a sinfully hot new recording of Smith/Prima favorites. Captured live at Feinstein's at the Regency in New York City, Keely's golden pipes are heard in top form, revealing a fascinating and unparalleled combination of clarity, power, expression and swing, as she jumps, jives an' wails from the first note to the last.
Features all newly recorded versions of Keely Smith/Louis Prima classics, including Jump, Jive and Wail and That Old Black Magic. The “Queen of Las Vegas” has never sounded better.
While supplies last!
Opener: I Wish You Love (Instrumental); When You're Smiling/The Sheik of Araby; I Gotta Right to Sing the Blues; Basin Street Blues/When it's Sleepy Time Down South; More Than You Know; Lazy River; Don't Take Your Love From Me; Jump, Jive and Wail; Sweet and Lovely; Buona Sera; Angelina/Che La Luna/Zooma Zooma; Just a Gigolo/I Ain't Got Nobody; I Wish You Love/That Old Black Magic; What Kind of Fool Am I; Closer: I Wish You Love (Instrumental).
Keely Smith, Vocals; Dennis Michaels, Piano; Joe Cocuzzo, Drums; Chip Jackson, Bass; Ken Ascher, Synthesizer; Jerry Vivino, Tenor Sax; Jack Bashkow, Alto Sax; Ben Williams, Trombone; John Chudoba, Jim O'Connor, Trumpets.
| Album Credits | |
Performance Credits |
|
| Ben Williams II | Trombone |
| Chip Jackson | Bass |
| Dennis Michaels | Piano |
| Jack Bashkow | Sax (Alto) |
| Jerry Vivino | Sax (Tenor) |
| Jim O'Connor | Trumpet |
| Joe Cocuzzo | Drums |
| John Chudoba | Trumpet |
| Kenny Ascher | Synthesizer |
Technical Credits |
|
| Abbey Anna | Art Direction |
| Billy May | Arranger |
| Bobby Milano | Producer |
| Danielle Brancazio | Package Design |
| Doug Sax | Mastering |
| Jimmy Corona | Live Sound |
| John Burk | Producer |
| Josiah Gluck | Engineer |
| Keely Smith | Main Performer |
| Lawrence Manchester | Assistant Engineer |
| Louis Prima | Arranger |
| Nelson Riddle | Arranger |
| Robert Hadley | Mastering |
| Seth Presant | Digital Editing |