Coltrane's sessions for Atlantic in late October 1960 were prolific, yielding the material for My Favorite Things, Coltrane Plays the Blues, and Coltrane's Sound. My Favorite Things was destined to be the most remembered and influential of these, and while Coltrane Plays the Blues is not as renowned or daring in material, it is still a powerful session. As for the phrase "plays the blues" in the title, that's not so much an indicator that the tunes are conventional blues (which they aren't). It's more indicative of a bluesy sensibility, whether he is playing muscular saxophone or, on "Blues to Bechet" and "Mr. Syms," the more unusual-sounding (at the time) soprano sax. Elvin Jones, who hadn't been in Coltrane's band long, really busts out on the quicker numbers, such as "Blues to You" and "Mr. Day." The 2000 reissue on Rhino (and the 2008 Japanese reissue) adds five bonus tracks: two alternates apiece of "Blues to Elvin" and "Blues to You" (which were originally released on the 1995 Heavyweight Champion: The Complete Atlantic Recordings box), and {"Untitled Original (Exotica)."} This last track first appeared on the 1970 compilation The Coltrane Legacy and, like every other one on this CD, was recorded on October 24, 1960. ~ Richie Unterberger, All Music Guide
One of the most important jazz musicians of all time, John Coltrane ranks at the top in significance, influence and musicianship with Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie and Miles Davis. As a tenor-saxophonist, Coltrane originally developed his sound out of the boppish style of Dexter Gordon, evolving during his last dozen years (1955-67) at a steady pace from complex chordal improvisations to sound explorations. He was a major force in hard bop, modal music, the avant-garde and free jazz. On soprano, which he began playing in 1960, Coltrane revived the instrument and took stirring flights influenced by Eastern music. After making a major impact during two stints with Miles Davis’ quintet and sextet (1955-56 and 1958-60) and with Thelonious Monk’s quartet (1957), Coltrane led his own groups during 1960-67. During that period he was considered the main pacesetter in jazz.
Coltrane Plays the Blues, recorded October 24, 1960, was a change of pace, for it features Coltrane performing six different blues, five of which are his originals. Joined by pianist McCoy Tyner, bassist Steve Davis and drummer Elvin Jones, Trane is heard on soprano for two of the numbers including “Blues to Bechet” (a tribute to the earlier soprano-sax great Sidney Bechet). The six numbers are joined by four alternate takes and “Exotica,” each of which were recorded at the same session.
—Scott Yanow
Cover art displayed on website may vary from product shipped. Please see printed catalog for accurate cover art.
Blues to Elvin*; Blues to Bechet; Blues to You*; Mr. Day; Mr. Syms; Mr. Knight; Untitled Original (Exotica).
(*Includes alternate takes.)
John Coltrane, Tenor/Soprano Saxes; McCoy Tyner, Piano; Steve Davis, Bass; Elvin Jones, Drums.
The entire album sessions on 1 CD for the first time!
• Newly remastered, with 5 bonus tracks.
• Featuring original LP artwork and liner notes, plus new notes by Neil Tesser
| Album Credits | |
Performance Credits |
|
| Elvin Jones | Drums |
| John Coltrane | Sax (Alto) |
| McCoy Tyner | Piano |
| Steve Davis | Bass |
| Steve Davis | Bass |
Technical Credits |
|
| Bob Slutzky | Cover Design |
| Dan Hersch | Remastering |
| Lee Friedlander | Cover Photo |
| Neil Tesser | Annotation |
| Nesuhi Ertegun | Producer |
| Steve Bates | Reissue Art Director |
| Tom Dowd | Engineer |
| Vanessa Atkins | Editorial Supervision |