The first album to hit the shelves after Giant Steps, Coltrane Jazz was largely recorded in late 1959, although one of the eight songs ("Village Blues") was done in late 1960. On everything save the aforementioned "Village Blues," Coltrane used the Miles Davis rhythm section of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. While not the groundbreaker that Giant Steps was, Coltrane Jazz was a good consolidation of his gains as he prepared to launch into his peak years of the 1960s. There are three standards aboard, but the group reaches their peak on Coltrane's original material, particularly "Harmonique" with its melodic leaps and upper-register saxophone strains and the winding, slightly Eastern-flavored principal riffs of "Like Sonny," dedicated to Sonny Rollins. The moody "Village Blues" features the lineup of McCoy Tyner on piano, Elvin Jones on drums, and Steve Davis on bass; with the substitution of Jimmy Garrison on bass, that personnel would play on Coltrane's most influential and beloved 1960s albums. The 2000 CD reissue on Atlantic/Rhino adds four bonus tracks: alternate takes of "Like Sonny" and "I'll Wait and Pray" that were first issued on Alternate Takes and alternate takes of "Like Sonny" and "Village Blues" that came out on the Heavyweight Champion: The Complete Atlantic Recordings box. ~ Richie Unterberger, All Music Guide
In 1959 John Coltrane released his groundbreaking Giant Steps and began recording the classic Kind of Blue with Miles Davis. He'd become a jazz musician other musicians were talking about. Many were praising him, those behind the times weren't ready to yet. This was Coltrane's pivotal transitional period.
Music wasn't a job to Trane, but a spiritual quest. He was a seeker. Whether playing brillant counterpoint to Miles or on his own, he was always intent on taking jazz to the next level. Such was the mood when he recorded Coltrane Jazz.
This album contains three timeless rhythm sections: McCoy Tyner on piano, Steve Davis on bass and Elvin Jones on drums; the Kind of Blue section of Wynton Kelly, Paul Chambers and Jimmy Cobb; Cedar Walton, Chambers and Lex Humphries. Released in 1961, it's a stunning glimpse into Coltrane's restless experiments with improvisation and group ensemble dynamics. This reissue includes original and alternate takes of "Like Sonny," "I'll Wait and Pray" and "Village Blues."
With photos by Lee Freidlander and Ray Flerlage, new liner notes by Neil Tesser and original liner notes by pianist Zita Carno.
—Richard Antone
Cover art displayed on website may vary from product shipped. Please see printed catalog for accurate cover art.
Little Old Lady; Village Blues*; My Shining Hour; Fifth House; Harmonique; Like Sonny*; I'll Wait and Pray*; Some Other Blues.
(*Includes alternate versions.)
John Coltrane, Tenor Sax; McCoy Tyner, Wynton Kelly, Cedar Walton, Pianos; Steve Davis, Paul Chambers, Basses; Lex Humphries, Jimmy Cobb, Elvin Jones, Drums.
| Album Credits | |
Performance Credits |
|
| Cedar Walton | Piano |
| Elvin Jones | Drums |
| Jimmy Cobb | Drums |
| John Coltrane | Sax (Tenor) |
| Lex Humphries | Drums |
| McCoy Tyner | Piano |
| Paul Chambers | Bass |
| Steve Davis | Bass |
| Wynton Kelly | Piano |
Technical Credits |
|
| Dan Hersch | Remastering |
| Daniel Goldmark | Editorial Research |
| Greg Allen | Reissue Design |
| Hugh Brown | Reissue Art Director |
| Lee Friedlander | Photography |
| Loring Wutemeyh | Cover Design |
| Neil Tesser | Reissue Liner Notes |
| Nesuhi Ertegun | Producer |
| Patrick Milligan | Reissue Supervisor |
| Phil Iehle | Engineer |
| Rachel Gutek | Reissue Art Director |
| Ray Flerlage | Back Cover |
| Shawn Amos | Editorial Coordinator |
| Tom Dowd | Engineer |
| Vanessa Atkins | Editorial Supervision |
| Zita Carno | Liner Notes |