John Abercrombie and Ralph Towner have forever been tied to the ECM roster as leaders and individualists, and initially it was hard to imagine their styles being compatible. As an amplified electric guitarist, Abercrombie's steely, sometime unearthly sound was an uneven puzzle piece alongside the graphic, stoic, classically oriented style of Towner. Yet on Sargasso Sea, there are several instances where they merge together as one, feeling their way through pure improvisations, angular and colorful motifs, or thematic nuances and a certain strata of consciousness that makes a world of common sense. There are selections where they both play acoustic guitars, but it is mostly Abercrombie's hopped up sound through an amp over Towner's bold and beautiful unplugged instrument, tossing in a piano overdubbed on two tracks. Where selections such as "Fable" are folksy and far from overwrought, "Avenue" lopes gracefully and the exceptional "Parasol" is semi-lyrical. Abercrombie's guitar stands in stark contrast on the near macabre title track, and more so during "Elbow Room" with heavier moans, cries, vibrato, echoplex slide incursions, and Towner as an afterthought. The best track "Staircase," with twin acoustic guitars, sports tricky intricate lines and changes only virtuosi can achieve. In laid-back surrender for "Romantic Descension," and in passive voicings on "Over & Gone," Towner need not strain to make his brilliant voice heard clearly. An uneven recording for many listeners and critics, Sargasso Sea deserves a second chance, not as an absolutely flawed, imperfect, or unbalanced effort. Like a tale of two cities, it stands as a unique project, perhaps deserving a more refined approach. Though there was a follow-up album released, a third-time's-the-charm contemporary revisit from these masterful guitar geniuses would be welcome. ~ Michael G. Nastos, All Music Guide
Two virtuoso guitarists John Abercrombie and Ralph Towner indulge in eight sublime conversations that cross the realms of classical and jazz guitar. It was his stints with Billy Cobham and Jack DeJohnette that earned Abercrombie national attention as a swinger. Here he takes a more thoughtful tone with his musical accomplice. Their duets are as breathtaking as a California sunset or New York City's skyline at midnight. Their contrasting sensibilities give this recording a unique colorful blend.
Abercrombie's electric and acoustic guitars reflect loud whispers in the night, accented with Towner's luscious rhythms on classical guitar. Take a listen to Abercrombie's original Sargasso Sea, a mysterious melody that haunts the mind. Elbow Room, an original collaboration, moves with Abercrombie's hypnotic electric guitar, as Towner's melodic rhythms follow softly. Just when listeners are totally immersed in the guitar duet, Towner moves in with a sweet piano serenade on his original Para Sol. Here you have two innovative guitarists exploring the jazz realm with their distinctive original compositions. The music shares the ambiance of a rainy afternoon or a late night champagne dinner.
They play with an understated virtuosity that is enticing and extremely spirited.
-Ron Scott
Fable; Avenue; Sargasso Sea; Over and Gone; Elbow Room; Stair Case; Romantic Descension; Para Sol.
John Abercrombie, Electric & Acoustic Guitar; Ralph Towner, 12-String & Classical Guitars & Piano.
| Album Credits | |
Performance Credits |
|
| John Abercrombie | Guitar (Acoustic) |
| Ralph Towner | Guitar |
Technical Credits |
|
| Barbara Wojirsch | Layout Design |
| Franco Fontana | Cover Photo |
| Jan Erik Kongshaug | Engineer |
| Jürgen Muller | Photography |
| Manfred Eicher | Producer |