Takin' Off was an impressive debut effort from Herbie Hancock, and his second record, My Point of View, proved that it was no fluke. Hancock took two risks with the album -- his five original compositions covered more diverse stylistic ground than his debut, and he assembled a large septet for the sessions; the band features such stellar musicians as trumpeter Donald Byrd, tenor saxophonist Hank Mobley, drummer Tony Williams, guitarist Grant Green, bassist Chuck Israels, and trombonist Grachan Moncur III. It's a rare occasion that all seven musicians appear on the same track, which speaks well for the pianist's arranging capabilities. Hancock knows how to get the best out of his songs and musicians, which is one of the reasons why My Point of View is a captivating listen. The other is the sheer musicality of the record. Hard bop remains the foundation for Hancock's music, but he explores its limitations, finding its soulful side (the successful "Watermelon Man" rewrite "Blind Man, Blind Man"), its probing, adventurous leanings (the edgy "King Cobra"), and its ballad side. "The Pleasure Is Mine" is a lovely, simple ballad, while "A Tribute to Someone" takes the form to more challenging territory -- it's lyrical, but it takes chances. The closer "And What if I Don't" finds the band working a relaxed, bluesy groove that gives them opportunities to spin out rich, tasteful solos. It's a little more relaxed than Takin' Off, but in its own way My Point of View is nearly as stunning. ~ Stephen Thomas Erlewine, All Music Guide
Ever since he joined Donald Byrd's group in 1961 and especially two years later when he joined Miles Davis, Herbie Hancock has been a major force in jazz. A brilliant pianist who was originally influenced by Bill Evans but grew to become an important influence himself, Hancock has always kept an open mind towards other styles of music. While his core piano style is usually post bop jazz, he has also had many electronic projects along the way (defining funk with his Headhunters), he has ventured enthusiastically into several different areas of pop, R&B and world music, and he remains an unpredictable and creative innovator.
This CD features Herbie Hancock at the beginning of his career, one of his first projects as a leader. 1963's My Point Of View has Hancock utilizing an all-star septet that also features trumpeter Donald Byrd, Hank Mobley on tenor, trombonist Grachan Moncur III, guitarist Grant Green, bassist Chuck Israels and a teenage Tony Williams on drums in different combinations. The wide range of music reflects Hancock's interests at the time including the funky "Blind Man, Blind Man" (heard in two versions), the ballad "The Pleasure is Mine" and selections that move the music forward ("A Tribute to Someone" and "King Cobra").
With his career off to a very impressive start, Herbie Hancock displayed endless potential. Fortunately he has lived up to his early promise and nearly 45 years later is still creating new innovations.
—Scott Yanow
Remastered!
Blind Man, Blind Man*; A Tribute to Someone; King Cobra; The Pleasure is Mine; And What If I Don't.
(*Bonus track.)
Herbie Hancock, Keyboards; Donald Byrd, Trumpet; Grant Green, Guitar; Chuck Israels, Bass; Hank Mobley, Tenor Sax; Grachan Moncur III, Trombone; Tony Williams, Drums.
| Album Credits | |
Performance Credits |
|
| Anthony Williams | Drums |
| Chuck Israels | Bass |
| Donald Byrd | Trumpet |
| Grachan Moncur III | Trombone |
| Grant Green | Guitar |
| Hank Mobley | Sax (Tenor) |
| Herbie Hancock | Piano |
| Tony Williams | Drums |
Technical Credits |
|
| Alfred Lion | Producer |
| Reid Miles | Design |
| Rudy Van Gelder | Remastering |