Broadening his musical palette, Grant Green detoured into a number of "theme" sessions in 1962 -- the light Latin jazz of Latin Bit; the country & western standards of Goin' West; and the best of the bunch, the old-timey gospel album Feelin' the Spirit. For Feelin' the Spirit, Green takes five traditional, public-domain African-American spirituals (plus the CD bonus track "Deep River") and gives them convincing jazz treatments in a quartet-plus-tambourine setting. Green's light touch and clear tone match very well with the reverent material, and pianist Herbie Hancock is tremendous in support, serving the needs of the music and nailing the bright gospel style perfectly. Similarly, Green's playing never gets too complicated or loses sight of the melodies, yet he never runs short of ideas -- which goes to show that Feelin' the Spirit is indeed a labor of love. Opening with a jaunty "Just a Closer Walk With Thee," Green and Hancock work up an impassioned gospel fervor on "Go Down Moses," which is loaded with soulful, bluesy trade-offs. Yet overall, the mood is fairly reflective, with Green's interpretations of "Joshua Fit de Battle ob Jericho," "Nobody Knows the Trouble I've Seen," and "Sometimes I Feel Like a Motherless Child" pointing up the suffering and sorrow behind these standards -- with the implication that suffering still continued into 1962. That's not to say Feelin' the Spirit is a depressing album, though; it's simply infused with the spirit of the blues, which is part of the reason these songs translate so surprisingly well despite their harmonic simplicity. Green, Hancock, bassist Butch Warren, and drummer Billy Higgins keep the grooves flowing throughout, making Feelin' the Spirit a rousingly successful experiment. [The RVG Edition of the album was remastered in 2004 by Rudy Van Gelder.] ~ Steve Huey, All Music Guide
One of the major jazz guitarists to emerge in the early 1960s, Grant Green emphasized single-note lines in his solos (almost never playing chords), was influenced as much by horn players as by guitarists and he had many opportunities to display his versatility when he was the house guitarist for the Blue Note label during the first half of the 1960s.
Born in St. Louis in 1931, Green was a professional by the time he was 13. He mostly played in the Midwest until moving to New York in 1960, one year after his recording debut with tenor-saxophonist Jimmy Forrest. During 1960-65 Green was heard as both a leader and a sideman on one great Blue Note album after another, playing bebop, soul jazz, hard bop and even spirituals, Latin jazz and Western songs. He excelled equally with organ combos and with all-star post bop groups. After a period off the scene, Green emerged as a more R&B-oriented player in the late 1960s but, despite taking a commercial turn in his music, he never gained quite the recognition he deserved. His career became erratic during the years before his premature death in 1979.
Feelin' the Spirit, from December 21, 1962, is Green's one gospel album. With pianist Herbie Hancock, bassist Butch Warren, drummer Billy Higgins and Garvin Masseaux on tambourine, Green digs into such songs as "Just a Closer Walk With Thee," "Nobody Knows the Trouble I've Seen" and "Deep River." The material might be unlikely for many jazz guitarists but Green sounds quite natural.
One cannot go wrong with any Blue Note CD that features the great Grant Green.
—Scott Yanow
Remastered!
Just a Closer Walk With Thee; Joshua Fit De Battle Ob Jericho; Nobody Knows the Trouble I've Seen; Go Down Moses; Sometimes I Feel Like a Motherless Child; Deep River.*
(*Bonus track.)
Grant Green, Guitar; Herbie Hancock, Piano; Butch Warren, Bass; Billy Higgins, Drums; Garvin Masseaux, Tambourine.
| Album Credits | |
Performance Credits |
|
| Billy Higgins | Drums |
| Butch Warren | Bass |
| Garvin Masseaux | Tambourine |
| Grant Green | Guitar |
| Herbie Hancock | Piano |
Technical Credits |
|
| Alfred Lion | Producer |
| Bob Blumenthal | Liner Notes |
| Francis Wolff | Photography |
| Gordon Jee | Creative Design |
| Joe Goldberg | Original Liner Notes |
| Micaela Boland | Art Direction |
| Michael Cuscan | Reissue Producer |
| Reid Miles | Cover Design |
| Rudy Van Gelder | Remastering |