Preceding Breezin', his crossover smash for Warner in 19786, Bad Benson shows the guitarist still hanging on to his Wes Montgomery roots in places while stretching his soul-jazz persona into even funkier arenas. CTI had a formula for making funky, accessible jazz and fusion records that in 1974 still held true. Arranged by Don Sebesky, Bad Benson is a collection of delicious, varied, and sometimes confusing choices. Benson's own playing is precise and smooth as always, and guitarist Phil Upchurch keeps a large color palette for him to draw from, as in the funkified version of "Take Five." Other notables are the stellar "My Latin Brother," which begins as a Debussy-ian impressionistic string study before becoming a heavily arpeggiated variation on the samba. Kenny Barron's pianism here is the driving force behind a rhythm section that also includes drummer Steve Gadd and bassist Ron Carter. They give Benson a harmonic floor for one of the most inspiring solos of his career. These intensely meaty cuts -- along with Upchurch's stellar swinging in the pocket groover "Full Compass" -- are juxtaposed against ballads such as "Summer Wishes, Winter Dreams" and "The Changing World," a pair of ballads that ape Montgomery's later snore-fest session for A&M. Thankfully, Legacy's remastered CD version includes three bonus tracks from the session: a hip and syncopated read of "Take the 'A' Train" (with truly surreal and shimmering colors courtesy of Sebesky's string section) and the amazingly driving, greasy funk of "Serbian Blue," as well as a simply beautiful -- and brief -- solo from Benson called "From Now On." Not a great album, but a very, very good one. ~ Thom Jurek, All Music Guide
In the world of jazz Bad is a good thing. It defines a musician's talent as being extraordinary or above the norm. George Benson is one of those great musicians, he's bad and this album title is definitely apropos. Every Benson album is a progression to the next level, here his playing is more aggressive and charged with a vibrant energy that romps throughout the session. He brings a fiery touch to Paul Desmond's cool version of "Take Five" and sails into calmer waters on the blissful ballad "Summer Wishes, Winter Dreams." The glowing dexterity of Benson is apparent on his original tunes "My Latin Brother" and "From Now On." His supporting cast includes pianist Kenny Barron, bassist Ron Carter, drummer Steve Gadd and a host of noted sidemen. His blazing interplay with (the then newly signed) young guitarist Phil Upchurch only adds to the excitement of this remarkable CTI session.
Bad Benson does not belong in the smooth jazz section, it swings much too hard for that category. This is Benson playing in the river of tradition, no gimmicks or homogenized music here, just straight-up jazz. The six tracks plus three bonus tracks that include Billy Strayhorn's celebrated "Take the A Train" are boiling in a pot of improvisational flavors.
—Ron Scott
Take Five; Summer Wishes, Winter Dreams; My Latin Brother; No Sooner Said Than Done; Full Compass; The Changing World; Take The A Train*; Serbian Blue*; From Now On*.
(*New Mix)
George Benson, Guitar; Philip Upchurch, Guitar/Elec. Bass/Percussion; Kenny Barron, Piano; Ron Carter, Bass; Steve Gadd, Drums; plus large ensemble.
A fiery guitar showdown between Benson & Phil Upchurch
An unusual showcase for Benson's artistry
| Album Credits | |
Performance Credits |
|
| Alan Rubin | Trumpet |
| Alan Shulman | Cello |
| Albert Regni | Clarinet |
| Brooks Tillotson | French Horn |
| Charles McCracken | Cello |
| Frank Levy | Cello |
| Garnett Brown | Trombone |
| George Benson | Guitar |
| George Marge | Clarinet |
| James Buffington | French Horn |
| Jesse Levy | Cello |
| Jim Buffington | French Horn |
| Joe Shepley | Trumpet |
| John Frosk | Trumpet |
| Kenny Barron | Piano |
| Margaret Ross | Harp |
| Paul Faulise | Trombone (Bass) |
| Paul Tobias | Cello |
| Phil Bodner | Clarinet |
| Phil Upchurch | Guitar |
| Raymond Beckenstein | Clarinet |
| Ron Carter | Bass |
| Seymour Barab | Cello |
| Steve Gadd | Drums |
| Warren Covington | Trombone |
| Wayne Andre | Trombone |
Technical Credits |
|
| Creed Taylor | Producer |
| Darren Salmieri | A&R |
| Didier C. Deutsch | Liner Notes |
| Don Sebesky | Arranger |
| Howard Fritzson | Reissue Art Director |
| Kristin Kozusko | A&R |
| Mark Wilder | Remastering |
| Patti Matheny | A&R |
| Rudy Van Gelder | Engineer |
| Seth Rothstein | Project Director |
| Stacey Boyle | Tape Research |
| Steven Berkowitz | A&R |
| Todd Whitelock | Mixing |