This sampler has music from four of tenor saxophonist Gato Barbieri's releases for RCA and Flying Dutchman. Included are three of the five numbers originally on Fenix, two of five from Under Fire, and two of six from Bolivia, plus "El Gato" from the album of the same name; all four of the albums could have been reissued in full as a definitive two-CD set. The music is fiery, passionate, and quite stirring since this was Barbieri's prime era, a period of time when he effectively mixed in melodies and rhythms from his native Argentina into his explosive brand of post-bop jazz. Barbieri (who really caresses some of these melodies) is joined on various selections by keyboardist Lonnie Liston Smith, John Abercrombie, Stanley Clarke, Roy Haynes, and percussionists Airto and Nana Vasconcellos. "El Gato" has Barbieri joined by a nonet arranged by Oliver Nelson. Until the albums are reissued in full, this is a fine sampling of Gato Barbieri's RCA/Flying Dutchman output. ~ Scott Yanow, All Music Guide
Since his come back in 1995, Gato Barbieri has had commercial success caressing pop melodies with his huge tone. However, when Barbieri first burst upon the worldwide scene in the mid-1960s, the Argentinean tenor-saxophonist was often heard in freeform settings where his passionate sound (inspired by John Coltrane and Archie Shepp but already quite distinctive) often sounded quite ferocious. The music on this sampler, which is taken from Barbieri's Flying Dutchman recordings of 1971-73, actually dates from his second period, when his earlier sound explorations were succeeded by his growing interest in his Argentinean heritage. Inspired by a heated five or six-piece rhythm section usually including the keyboards of Lonnie Liston Smith and two percussionists, Barbieri is fiery but melodic, adventurous yet respectful of the themes. The mixture of folk melodies with adventurous improvising and explosive rhythms is often irresistible. The closing track ("El Gato"), which has Barbieri joined by a nonet arranged by Oliver Nelson (who is heard on alto), is full of intensity and one of this fine set's high points.
—Scott Yanow
Bahia; Falsa Bahiana; Bolivia; Antonico; El Dia Que Me Quieras; Eclipse/Michellina; Yo le Canto a la Luna; El Gato.
Gato Barbieri, Tenor Sax; Phil Bodner, Flute/Alto Flute; Romeo Penque, Alto Flute/English Horn; Danny Bank, Bass Clarinet; Oliver Nelson, Arranger/Alto Sax; Nana Vasconcelos, Percussion/Congas/Berimbau; Gene Golden, Congas/Bongos/Percussion; James Mtume, Congas; Mtume, Percussion; Airto Moreira, Percussion/Drums; Lenny White, Bernard Pretty Purdie, Drums; John Abercrombie, Guitar/Acoustic Guitar; David Spinozza, Guitar; Ron Carter, Bass/Electric Bass; Jean François Clark, Stanley Clarke, Basses; Hank Jones, Piano; Lonnie Liston Smith, Piano/Electric Piano.
| Album Credits | |
Performance Credits |
|
| Airto Moreira | Percussion |
| Bernard "Pretty" Purdie | Drums |
| Danny Bank | Clarinet (Bass) |
| David Spinozza | Guitar |
| Gato Barbieri | Sax (Tenor) |
| Gene Golden | Percussion |
| Hank Jones | Piano |
| James Mtume | Conga |
| Jean-François Jenny-Clark | Bass |
| John Abercrombie | Guitar (Acoustic) |
| Lenny White | Drums |
| Lonnie Liston Smith | Piano |
| Moulay Ali Hafid | Percussion |
| Mtume | Percussion |
| Naná Vasconcelos | Percussion |
| Phil Bodner | Flute |
| Romeo Penque | Flute (Alto) |
| Ron Carter | Bass |
| Stanley Clarke | Bass |
Technical Credits |
|
| Bill Milkowski | Liner Notes |
| Bob Thiele | Producer |
| House of Red | Reissue Producer |
| Oliver Nelson | Arranger |
| Steve Backer | Executive Producer |
| Steve Gates | Series Producer |