One of Duke Ellington's most delightful adaptations of another composer's material is his reworking of Tchaikovsky's "Nutcracker Suite" into jazz; this version is a classic and well worth treasuring. Ellington's reworking of Grieg's "Peer Gynt Suites" (including "In the Hall of the Mountain King") and his tribute to John Steinbeck ("Suite Thursday") are also among his better extended works, really utilizing the unique tones of his distinctive sidemen. Highly recommended. ~ Scott Yanow, All Music Guide
Three Suites has a trio of extended works featuring Duke Ellington's orchestra in 1960. While Suite Thursday (a tribute to author John Steinbeck written by Ellington and Billy Strayhorn) and Grieg's Peer Gynt Suites (which includes Anitra's Dance and In The Hall Of The Mountain King) have no direct connection to Christmas, they are quite complementary to the main work, Tchaikovsky's The Nutcracker Suite. Among the most delightful adaptations of another composer's work, this version of The Nutcracker Suite (which includes Dance Of The Sugar Plum Fairy) transforms the nine movements into jazz. The music is both haunting and catchy with such key players as altoist Johnny Hodges, baritonist Harry Carney, cornetist Ray Nance, Paul Gonsalves on tenor and clarinetist Jimmy Hamilton adding their unique voices and tone colors to the arrangements and doing full justice to the timeless music.
-Scott Yanow
Tchaikovsky's The Nutcracker Suite: Overture; Toot Toot Tootie Toot (Dance Of The Reed-Pipes); Peanut Brittle Brigade; Sugar Rum Cherry (Dance Of The Sugar-Plum Fairy); Entr'acte; The Volga Vouty (Russian Dance); Chinoiserie (Chinese Dance); Danse Of The Floreadores (Waltz Of The Flowers); Arabesque Cookie (Arabian Dance); Grieg's Peer Gynt Suites Nos. 1 & 2: Morning Mood; In The Hall Of The Mountain King; Solvejg's Song; Ase's Death; Antra's Dance; Ellington-Strayhorn Suite Thursday: Misfit Blues; Schwiphti; Zweet Zurzday; Lay-By.
Duke Ellington, Piano; Johnny Hodges, Russell Procope, Alto Saxes; Harry Carney, Woodwinds; Jimmy Hamilton, Clarinet, Tenor Sax; Paul Gonsalves, Tenor Sax; Ray Nance, Trumpet, Violin, Vocals; Willie Cook, Andres Meringuito, Eddie Mullins, Trumpets; Lawrence Brown, Booty Wood, Britt Woodman, Juan Tizol, Trombones; Sam Woodyard, Drums; Aaron Bell, Bass.
| Album Credits | |
Performance Credits |
|
| Aaron Bell | Bass |
| Andres Meringuito | Trumpet |
| Booty Wood | Trombone |
| Britt Woodman | Trombone |
| Duke Ellington | Piano |
| Eddie Mullins | Trumpet |
| Harry Carney | Saxophone |
| Jimmy Hamilton | Saxophone |
| Johnny Hodges | Saxophone |
| Juan Tizol | Trombone |
| Lawrence Brown | Trombone |
| Lawrence D. Brown | Trombone |
| Matthew Gee | Trombone |
| Paul Gonsalves | Saxophone |
| Paul Horn | Saxophone |
| Ray Nance | Trumpet |
| Russell Procope | Saxophone |
| Sam Woodyard | Drums |
| Willie Cook | Trumpet |
Technical Credits |
|
| Allen Weinberg | Art Direction |
| Amy Herot | Series Coordinator |
| Frank Driggs | Photography |
| Gary Pacheco | Series Coordinator |
| Irving Townsend | Liner Notes |
| Larry Keyes | Remixing |
| Michael Berniker | Series Coordinator |
| Michael Brooks | Digital Producer |
| Michael Brooks | Digital Producer |
| Tony Tiller | Package Coordinator |