Dexter Gordon's second recording for the Blue Note label is a solidly swinging affair, yet constantly full of surprises. It's not unexpected that Gordon's tenor at this time -- 1961 -- is one of the most enjoyable in mainstream jazz, but his transition from the cool California scene to the hotter music environs of New York City had energized his sound and attitude. A first-time pairing with bassist Paul Chambers has something to do with this, but it also inspires pianist Kenny Drew to a great extent, while drummer Philly Joe Jones is his reliable, energetic self, and always works well with Gordon. This SACD edition features a broad range of jazz that Gordon mastered with wisdom and a bit of mad abandon on his solos. Where Gordon's fluent melodic sense is perfectly demonstrated during the simple-as-pie groove waltz "Soul Sister," the steady, steamy bopper "I Want More," and the familiar Charlie Chaplin evergreen "Smile," his sense of expanding the specific line upon soloing is truly remarkable. He constantly keeps the song form in mind, riffing on and on without violating the basic note structures, constantly reharmonizing, shuffling the chords like a card dealer and updating the song form. "The End of a Love Affair" takes this concept into an area where his deep, subtle voice is translated directly into the low-slung voicings of his horn. The remarkable "Modal Mood" combines hard bop with Drew's three-chord piano repetitions and Gordon's soulful, simplified sax, while the equally impressive "Clear the Dex" steamrolls the competition as the band -- cued by Jones -- skillfully pushes or pull tension and release elements, then busts loose into joyous swinging in a true signature tune that is immediately recognizable as only the long, tall tenor man. The sad ballad "Ernie's Tune" is based on a yin/yang theme via Freddie Redd's stage play {+The Connection} and the crazy character that ran wild or tame. There's a previously unissued track, "Landslide," which sounds slightly like a knock-off of one of his other tunes -- perhaps "Cheesecake" -- but considering the time frame, it could be a prelude to one of his most famous songs of all time. The excellent band, solid musicianship, and memorable music on every track make this one of the more essential recordings of Gordon's career, enhanced by the improved audio quality. ~ Michael G. Nastos, All Music Guide
Dexter Gordon was one of the most beloved of all jazz tenor-saxophonists. He had a giant and very friendly sound which perfectly fit his personality and life. He loved to quote favorite songs during his lengthy solos, enjoyed playing ballads (always knowing the lyrics to each song), and was difficult to defeat in tenor battles.
Gordon had a long career full of highpoints and comebacks. The first major tenor-saxophonist to emerge during the bebop era, he starred at jam sessions in Los Angeles in the late 1940s, often opposite Wardell Gray and Teddy Edwards. While off the scene for part of the 1950s, he made a big comeback in the early 1960s, recording several gems for the Blue Note label. Playing in prime form during a long period living in Europe, he returned to the United States in triumph in the mid-1970s and late in his career starred in the film Round Midnight.
On Dexter Calling, an early 1960s set, Gordon is showcased with a quartet also including pianist Kenny Drew, bassist Paul Chambers and drummer Philly Joe Jones. Gordon is heard in top form, caressing "End of a Love Affair" and "Smile." In addition, he contributes four originals ("I Want More" is a highlight) and Drew brought in two fine songs including one called "Clear the Dex."
—Scott Yanow
Remastered!
Soul Sister; Modal Mood; I Want More; The End of a Love Affair; Clear the Dex; Ernie's Tune; Smile; Landslide*.
Dexter Gordon, Tenor Sax; Kenny Drew, Piano; Paul Chambers, Bass; Philly Joe Jones, Drums.
(*Not part of original LP.)
| Album Credits | |
Performance Credits |
|
| Dexter Gordon | Sax (Tenor) |
| Kenny Drew | Piano |
| Paul Chambers | Bass |
| Philly Joe Jones | Drums |
Technical Credits |
|
| Alfred Lion | Producer |
| Bob Blumenthal | Liner Notes |
| Francis Wolff | Photography |
| Gordon Jee | Creative Director |
| Gus Skinas | Author |
| Kevin Michael Gray | Mastering |
| Leonard Feather | Liner Notes |
| Micaela Boland | Art Direction |
| Michael Cuscuna | Reissue Producer |
| Ron McMaster | Digital Transfers |
| Rudy Van Gelder | Engineer |
| Steve Hoffman | Mastering |