This five-CD box set collects all five of the Dave Brubeck Quartet's {#Time} series recordings: Time Out, Time Further Out, Countdown: Time in Outer Space, Time Changes, and Time In, with bonus material attached to three of the discs. Of this quintet of recordings, the latter three have never been available on CD in the United States. Recorded between 1959 and 1965, each of these titles has a distinct relationship to "time travel" in the context of jazz. Brubeck, Paul Desmond, and company were consciously trying to extend the time-space continuum in jazz, and erase the boundaries of imposed four/four signatures in the idiom. Time Out was the first jazz album on which every tune was in a different tempo, and it charted all over the world. Time Further Out netted another hit single with "Unsquare Dance" and its B-side, "It's A Raggy Waltz," a live version of which has been added to the original edition of the album. But these sides have been continually available in one form or another since the dawn of LPs, and were among the first to get the grand remastering treatment in Legacy's ambitious program. From the appearance of Countdown: Time in Outer Space, from 1962 (paying tribute to the new exploration of the last frontier by trying to open up jazz from the inside rather than out); it features the amazing "Eleven Four," by Desmond, in which he creates a rhythmic series of groupings around five/three/three and of course, the widely recognized "Why Phyllis," by Rayburn Wright, which is a blues waltz in three-quarter time. Perhaps the most provocative piece on the disc is the reworking of "Someday My Prince Will Come," which could not have been further from Miles Davis' read of it (and predates it). On "Castillean Blues," a standard blues is shaped into five/four and given the Latin percussion treatment. The album also features a bonus cut and new liner notes by Teo Macero. Time Changes, from 1964, features the beautifully wrought 17-minute epic "Elementals," on which the Brubeck Quartet was accompanied by a full-on symphony orchestra. Macero also recorded a single version of the cut, which was never released until now as the bonus cut. Finally, Time In from 1965, the Brubeck Quartet's 15th anniversary album, is also included. Here, in addition to all of the platitudes from jazz writers and musicians -- as well as a breathy essay by Macero -- the new, expanded edition includes three bonus cuts, all of them long jam-session pieces: "Rude Old Man," "Who Said That" and "Watusi Drums." The sound is pristine yet warm, the expanded liner notes make for excellent reading, and most of all, when grouped this way, these five recordings offer a story: a progression and a synthesis of how time and jazz were synonymous to stretch one another to the breaking point and then become something else, apart and together, in the larger context of modern music. Brubeck's studies with Darius Milhaud and Desmond's revisioning of the blues are intertwined on these discs, making for a portrait at once very strange, yet lush and haunting, and almost nostalgic -- like these stretches were meant to be all along. This is easily the high point of the Brubeck reissue series. ~ Thom Jurek, All Music Guide
The Dave Brubeck Quartet was one of the most popular of all jazz groups as early as 1952. Matching the leader's percussive piano with the light, airy and witty alto solos of Paul Desmond, the group was always notable for its melodic and logical explorations of polyrhythms (two or more rhythms at once) and polytonality (sometimes playing in two keys simultaneously).
With the release of "Take Five" in 1960, the Dave Brubeck Quartet became even more famous, exploring unusual time signatures and taking jazz beyond its reliance on 4/4 or even 3/4 time. "Take Five" showed that it was possible to have a pop hit in 5/4 time while "Blue Rondo a la Turk" explored 9/4 time in its melody statement.
Five of Brubeck's albums from the 1960s focused on unusual time signatures and they have now been reissued on this five-CD set: Time Out (which has the original version of "Take Five"), Time Further Out, Countdown: Time In Outer Space, Time Changes and Time In.
Seven bonus cuts not on the original LPs have been added to this perfectly conceived package, which is even recommended to Brubeck fans who already have some of the original albums. These sets feature The Dave Brubeck Quartet at its most innovative and are very significant both historically and musically.
—Scott Yanow
More than any other improvising artist during the past 45 years, the pianist/composer/bandleader Dave Brubeck (b.1920) has expanded the rhythmic horizons for the general public, essaying with ever-increasing assurance time signatures like 5/4, 7/4 and even 13/4 while creating a body of work that is notable for its consistent levels of melodic content and harmonic invention. Recorded between 1959 and 1965, this five-disc set captures the Brubeck quartet featuring the floating alto saxophone of Paul Desmond (composer of the million-selling Take Five), at the peak of their powers.
In addition to such Brubeck signatures as It's a Raggy Waltz, Blue Rondo a la Turk, Unsquare Dance and, of course, Take Five, For All Time's repertoire also presents an improvisation from one of Dave's liturgical pieces, a variation of the folk song Frankie and Johnny and Brubeck's work for quartet and 45-piece orchestra, Elementals.
For All Time is for all ears.
Blue Rondo a la Turk; Strange Meadow Lark; Take Five; Three to Get Ready; Kathy's Waltz; Everybody's Jumpin'; Pick Up Sticks; It's a Raggy Waltz; Bluette; Charles Matthew Hallelujah; Far More Blue; Far More Drums; Maori Blues; Unsquare Dance; Bru's Boogie Woogie; Blue Shadows in the Street; Slow and Easy (a.k.a. Lawless Mike); It's a Raggy Waltz (Live at Carnegie Hall); Countdown; Eleven Four; Why Phillis Waltz; Someday My Prince Will Come (From Snow White & the Seven Dwarfs); Castilian Blues; Castilian Drums; Fast Life; Waltz Limp; Three's a Crowd; Danse Duet; Back to Earth; Fatha*; Ilberia; Unisphere; Shim Wha; World's Fair; Cable Car; Theme From Elementals**; Elementals; Lost Waltz; Softly, William, Softly; Time In; Forty Days; Travelin' Blues; He Done Her Wrong; Lonesome; Casandra; Rude Old Man*; Who Said That?*; Watusi Drums*.
(*Bonus track; **previously unreleased.)
The Dave Brubeck Quartet: Dave Brubeck, Piano; Paul Desmond, Alto Sax; Eugene Wright, Bass; Joe Morello, Drums.
If you loved Take Five, then this is the perfect collection for you!
• Dave hand-picked each CD for this set
• Dave also wrote new comments for each CD
• 24-Bit digitally remastered
| Album Credits | |
Performance Credits |
|
| Dave Brubeck | Piano |
| Eugene Wright | Bass |
| Joe Morello | Drums |
| Paul Desmond | Sax (Alto) |
Technical Credits |
|
| Barry Ulanov | Liner Notes |
| Beverly Parker | Photography |
| Cliff Morris | Engineer |
| Darcy Proper | Mastering |
| Darren Salmieri | Artist Coordination |
| Didier C. Deutsch | Reissue Producer |
| Don Hunstein | Photography |
| Fred Plaut | Engineer |
| George T. Simon | Liner Notes |
| George Wein | Liner Notes |
| Gina Bello | Design Assistant |
| Goddard Lieberson | Liner Notes |
| Hank Parker | Photography |
| Hope Chasin | Packaging Manager |
| Howard Fritzson | Reissue Art Director |
| Jen Wyler | Mixing Engineer |
| Jennifer Ebert | Packaging Manager |
| Jimmy Lyons | Liner Notes |
| John Wilson | Liner Notes |
| Ken Fredette | Design Assistant |
| Leonard Feather | Liner Notes |
| Liz Reilly | Photo Research |
| Mark Unterberger | Packaging Manager |
| Mark Wilder | Digital Mastering |
| Patti Matheny | Artist Coordination |
| Ralph J. Gleason | Liner Notes |
| Randall Martin | Design |
| Ray Wright | Conductor |
| Rayburn Wright | Conductor |
| Rene Arsenault | Production Assistant |
| Robert Waller | Engineer |
| Russell Gloyd | Reissue Producer |
| Samuel Trevor Francis | Cover Painting |
| Seth Rothstein | Project Director |
| Stacey Boyle | Tape Research |
| Steve Race | Liner Notes |
| Steven Berkowitz | A&R |
| Teo Macero | Producer |
| Tony Sellari | Art Direction |