Charles Mingus recorded many superb albums, but his personal favorite was Tijuana Moods, which was inspired by a visit to the Mexican border town. His sole release for RCA Victor, the original record's five tracks were not recorded as complete takes, but spliced together afterward, though the finished product didn't see the light of day for nearly five years. Since then it was reissued in 1986 in a two-disc set with an alternate composite done after Mingus' death and adding one unissued track ({" A Colloquial Dream [Scenes in the City]"}), while a 2001 reissue added a number of fragmentary takes as well. This reissue, with new liner notes by Nat Hentoff, while retaining the original notes by Martin Williams, eliminates all the added material except for the one bonus track. It's debatable whether this is Charles Mingus' best overall recording, though it should easily be considered one of his top efforts. The cast includes veteran trombonist Jimmy Knepper and drummer Dannie Richmond (who became a regular in the bassist's various groups), along with promising but obscure musicians including pianist Bill Triglia, saxophonist Shafi Hadi (formerly Curtis Porter), and trumpeter Clarence Gene Shaw. Highlights include the exciting "Ysabel's Table Dance" and the haunting treatment of the standard "Flamingo," featuring Shaw on muted trumpet and Knepper. ~ Ken Dryden, All Music Guide
Jazz has utilized Latin rhythms on at least an occasional basis since virtually its beginning. W.C. Handy's "St. Louis Blues" from 1914 used a tango rhythm and "The Peanut Vendor" became a standard by 1931. The mixture of bebop and Cuban rhythms became a reality in 1947 when Dizzy Gillespie had conga master Chano Pozo as a member of his big band. By the 1950s, Afro-Cuban jazz was quite popular. In the early 1960s the combination of gentle Brazilian rhythms with cool jazz became bossa novas. And in the years since, jazz musicians have often utilized melodies, rhythms and instruments from a variety of South and Central American countries.
Charles Mingus, a highly emotional and innovative bassist, bandleader and composer, recorded Tijuana Moods after a memorable visit to Mexico. Long considered one of his most significant and exciting recordings, Tijuana Moods includes such stirring pieces as "Ysabel's Table Dance," "Los Mariachis" and the haunting "Tijuana Gift Shop." Mingus' regular group is augmented by Ysabel Morel on vocals and castanets and the Spanish/Mexican rhythms add a great deal to the music. Trumpeter Clarence Shaw, trombonist Jimmy Knepper and altoist Shafi Hadi are driven to play at their most intense. In addition, this reissue includes "A Colloquial Dream," a memorable story narrated by Lonnie Elder with music by the band.
This exotic and unique recording is highly recommended, a standouts in the career of Charles Mingus.
—Scott Yanow
"This is the best record I ever made." —Charles Mingus
"For sheer melodic and rhythmic and structural originality, his compositions may equal anything written in Western music in the twentieth century." —The New Yorker
"Five stars" —Down Beat
Dizzy Moods; Ysabel's Table Dance; Tijuana Gift Shop; Los Mariachis; Flamingo; A Colloquial Dream (Scenes in the City)*.
(*Bonus track.)
Charles Mingus, Double Bass; Lonnie Elder, Vocals; Frankie Dunlop, Ysabel Morel, Percussion; Shafi Hadi, Alto & Tenor Saxes; Clarence Shaw, Trumpet; Bill Triglia, Piano; Dannie Richmond, Drums; Jimmy Knepper, Trombone.
A jazz masterpiece!
As essential as Kind of Blue or A Love Supreme
"This is the best record I ever made." —Charles Mingus
| Album Credits | |
Performance Credits |
|
| Bill Triglia | Piano |
| Charles Mingus | Bass |
| Dannie Richmond | Drums |
| Frankie Dunlop | Percussion |
| Jimmy Knepper | Trombone |
| Lonnie Elder | Voices |
| Ysabel Morel | Castanets |
Technical Credits |
|
| Bob Rolontz | Producer |
| Bob Simpson | Engineer |
| Brad McCuen | Supervisor |
| Howard Fritzson | Art Direction |
| Mark Wilder | Mastering |
| Matt Kelly | Tape Research |
| Nat Hentoff | Liner Notes |
| Richard Seidel | Reissue Producer |
| Steven Berkowitz | A&R |