This album, Duke Ellington's revised version of his formerly 50-minute long "Black, Brown and Beige," has always been a bit of a disappointment. [more]
Still riding the success of his triumphant concert at the 1956 Newport Jazz Festival, Duke Ellington in 1958 decided to reduce his touring orchestra to a [more]
One of Duke Ellington's finest small group sessions from his final decade was this frequently exciting quartet date with guitarist Joe Pass, bassist Ray Brown and drummer [more]
Duke Ellington could have been forgiven if, by the time he was 67, he had gradually lost his creative desire not to mention his writing skills. But his genius [more]
Duke Ellington was constantly composing new material as well as creating new arrangements of vintage works, as heard on this Columbia LP recorded in 1959. "Perdido" is an [more]
Two years after his major success at the Newport Jazz Festival, Duke Ellington returned for another excellent if somewhat overlooked performance. The set is [more]
Discovered in Columbia's vaults 19 years after it was performed, this recording features a septet from Duke Ellington's orchestra keeping busy in the studios mostly playing [more]
Volume 1 is with Ellington's orchestra, Volume 2 is with smaller groups including Ben Webster, Stuff Smith, and Oscar Peterson. Outstanding recordings, [more]