This album is perhaps most significant for the process it set in motion -- the collaboration between Gil Evans and Miles Davis that would produce Porgy and Bess and Sketches of Spain, two [more]
He can be fascinating and very moving to listen to. -Paul Desmond
Having completed what he (and many critics) regarded as his masterwork in The Black Saint and the Sinner Lady, Charles Mingus' next sessions for Impulse found [more]
One of the most influential forces in jazz, bassist-composer Charles Mingus revered Duke Ellington and showcases Ellington's music on this classic [more]
"Trumpet players, like everyone else, are individualized by their ideas and styles." —Miles Davis
These ten tracks, taken from radio broadcasts from the legendary Birdland in 1951, represent a particularly fruitful period in Miles Davis' development as a bandleader. There are three [more]
The music on this CD (the original LP program plus a second version of "Sorino") is taken from a radio aircheck and a TV special, both originating from Stockholm. The remarkable [more]
The music on this CD is from a period when arranger Quincy Jones was a major part of the jazz world, rather than being content just to take bows for it. Six [more]
In response to critical carping that his ambitious, evocative music somehow didn't swing enough, Charles Mingus returned to the earthiest and earliest sources of black musical [more]
Along with its companion volume Changes One, this is one of the great sessions from one of the best working bands of the 1970s. Starting with the spirited
Charles Mingus has a fascinating way of offering music that is grounded in tradition while remaining startlingly original. The freshness of a disc like [more]
"I think that more jazz groups should tell stories like Mingus does." —Shafi Hadi
The Clown was Charles Mingus' second masterpiece in a row, upping the already intense emotional commitment of Pithecanthropus Erectus and burning with righteous anger and [more]