The third volume in the complete recordings of pianist Billy Taylor opens with five selections from a live trio session recorded at the Storyville Club in Boston during the autumn of 1952 [more]
As a leader, Charlie Parker recorded for Savoy and Dial during 1945-1948 and then for Verve exclusively (at least in the studios) during 1949-1954. This [more]
"Trumpet players, like everyone else, are individualized by their ideas and styles." —Miles Davis
These ten tracks, taken from radio broadcasts from the legendary Birdland in 1951, represent a particularly fruitful period in Miles Davis' development as a bandleader. There are three [more]
In response to critical carping that his ambitious, evocative music somehow didn't swing enough, Charles Mingus returned to the earthiest and earliest sources of black musical [more]
Los Angeles is not usually seen as a hotbed of African-American musical creativity in the first half of the 20th century, but this deluxe box [more]
Along with its companion volume Changes One, this is one of the great sessions from one of the best working bands of the 1970s. Starting with the spirited
Charles Mingus has a fascinating way of offering music that is grounded in tradition while remaining startlingly original. The freshness of a disc like [more]
This is an obscure Charles Mingus session recorded in Japan in 1971, and the second version Denon has released of the same session. The bassist and composer fronted [more]
"I think that more jazz groups should tell stories like Mingus does." —Shafi Hadi
The Clown was Charles Mingus' second masterpiece in a row, upping the already intense emotional commitment of Pithecanthropus Erectus and burning with righteous anger and [more]
Starting in 1944 and continuing for 13 years, producer Norman Granz put on a series of touring all-star jam sessions that frequently matched [more]