Stanley Turrentine is the featured artist in this big band session with an all-star orchestra arranged and conducted by Oliver Nelson. While Nelson's charts are funky and [more]
"Life is an adventure and a challenge." —Miles Davis
Despite the presence of classic tracks like Joe Zawinul's "Great Expectations," Big Fun feels like the compendium of sources it is. These tracks are all outtakes from other sessions, most [more]
This two CD collection was originally released as part of Blue Note's 60th Anniversary boxed set. Jimmy Smith, who was signed by Alfred Lion after he [more]
Stevie Wonder, one of the finest songwriters of the past 40 years, helped to modernize soul/R&B during his career, writing quite a few popular [more]
The first of two CDs of ballads put out by RCA that are meant to attenuate that "special mood," this is a hodgepodge collection of music easily available elsewhere. Starting [more]
For George Benson's second CTI project, producer Creed Taylor and arranger Don Sebesky successfully place the guitarist in a Spanish-flavored setting full of flamenco flourishes, brass fanfares, moody woodwinds and such. The idea works best on
Miles Davis' concert of February 12, 1964, was originally divided into two LPs, with all of the ballads put on My Funny Valentine. These five lengthy tracks (which include "All of [more]
In an odd bit of programming, Columbia placed the ballads from Miles Davis' February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP; all of the music has since [more]
Could there be any more confrontational sound in Miles Davis' vast catalog than the distorted guitars and tinny double-timing drums reacting to a two-note bass riff funking it up on the [more]
When Get Up with It was released in 1974, critics -- let alone fans -- had a tough time with it. The package was a -- by then customary -- double LP, with sessions ranging from [more]