The Natural Soul finds Lou Donaldson delving deeply into soul-jazz, recording a set of funky, greasy instrumentals with only a few references to hard bop. Donaldson occasionally [more]
Broadening his musical palette, Grant Green detoured into a number of "theme" sessions in 1962 -- the light Latin jazz of The Latin Bit; the country & western standards of Goin' [more]
Grant Green, being known mainly as a soul-jazz guitarist, eventually gravitated into the popular boogaloo sound, a derivation of Latin music. The Latin Bit is the natural bridge to that [more]
This LP has material from 1961 that for no real reason went unreleased until 1985. One song, "Three Coins in a Fountain," is from the same session that resulted in tenor saxophonist [more]
Ike Quebec's 1961-1962 comeback albums for Blue Note were all pretty rewarding, but Blue and Sentimental is his signature statement of the bunch, a superbly sensuous blend of [more]
Grant Green's second session with organist Larry Young, Street of Dreams brings back drummer Elvin Jones and adds Bobby Hutcherson on vibes for a mellow, dreamy album that lives up [more]
Alive! is the hardest funk LP Grant Green recorded during the later phase of his career, capturing a storming gig at Newark's {Cliché Lounge}. The sweaty club atmosphere adds something to the [more]
Publishing can be an incredibly lucrative field. Whenever a rapper sampled a recording in the '80s and '90s, the person who owned the publishing stood to make some big [more]
Typically, Grant Green's final album as a leader gets a bum rap. While it's true that this isn't one of Green's best records, it's not by any means his worst. The band here is large, [more]
Subtitled "Flat Out Funk From the Jazz Brotherhood," this takes 18 Prestige soul-jazz cuts from the late '60s and early '70s. For serious collectors of this stuff, the big [more]