This 15-cut collection of Stan Getz ballads runs the gamut from his early bossa hits with {João} and Astrud Gilberto to his ballad performances with Bill Evans, Oscar Peterson, and Jim [more]
Long ignored by jazz folk who once thought the music of Burt Bacharach was beneath contempt, Stan Getz's collection of Bacharach-iana was [more]
Tenor saxophonist Stan Getz and trumpeter Chet Baker never particularly liked each other and, even though they had musically compatible styles, they only worked together briefly in [more]
Tenor Stan Getz and valve-trombonist Bob Brookmeyer made a mutually beneficial team. Although they had not played together all that much in 1954 (Brookmeyer had left Getz's band earlier [more]
This 1976 album by the late saxophonist Stan Getz is a reunion of sorts with Joao Gilberto, the great Brazilian guitarist and singer, and the music of Antonio Carlos [more]
Fresh from the sudden success of Jazz Samba and "Desafinado," Stan Getz asked the 28-year-old, strikingly gifted Gary McFarland to arrange a bossa nova album for big band as a [more]
When Stan Getz visited Paris to witness the French Open tennis matches, he would hang out at the Blue Note nightclub to hear how the locals did it, being told their jazz scene was [more]
Here's some more bossa nova from Stan Getz when the bloom was still on the first Brazilian boom. This time, however, on his third such album, Getz relies mostly upon [more]
One of his best LPs from a very creative and innovative period, Stan Getz in Stockholm is wonderful almost in spite of itself. Getz recorded this date for Norman Granz in [more]
This rather commercial album (the next to last of Stan Getz's long career) is saved only by the great tenor's tone and creativity. The originals by Eddie del Barrio and Herb Alpert are [more]