One of Basie's final albums, the very appealing title cut seems to sum up his career, a lightly swinging groove with a strong melody. Two small-group performances with [more]
Count Basie's Columbia years have long been debated, subject to apocryphal written data and legend because of the willy-nilly nature of his tenure with the label [more]
One of the staples in the Count Basie discography, April in Paris is one of those rare albums that makes its mark as an almost instant classic in the jazz pantheon. April in [more]
Seven saxes are led by Lockjaw Davis in a big band that drives Prysock. Eleven songs, the best of which are, "I Could Write a Book" and "Don't Go Fo' Strangers." ~ Michael G. Nastos, All Music Guide
The release of this album in late 1957 marked the beginning of a glorious new phase in Count Basie's career. Signed to Roulette Records, the newly formed label owned by Morris Levy, [more]
One of three compilations issued by different labels in 1995 bearing the title Basie Boogie, this 1995 Jazz Hour release combines recordings made during Count Basie's brief [more]
The official start of Count Basie's decade-long association with Norman Granz's Pablo label was a bit disappointing, an all-star cast (with trumpeter Harry "Sweets" Edison, [more]
In 1964, Count Basie handed the reins of his band over to composer and arranger Billy Byers, purportedly to modernize his sound to the times. More accurately, Byers energized the band [more]