In keeping with his jazz/pop crossover ambitions, Ray Charles decided to record a concept album of sorts with a dozen songs devoted to various parts of the U.S. -- "Alabamy [more]
During 1953-1955, singer Chris Connor recorded regularly for Bethlehem. This reissue LP has her final recordings for the label (before moving up to Atlantic) with such fine sidemen as [more]
Booker Ervin's debut as a leader teamed the intense tenor saxophonist with fellow tenor Zoot Sims (one will have little difficulty telling the cool-toned Zoot apart from Booker), [more]
Taken from "scraps" or "leftovers" of three different sessions, Dig It! presents distinct sides of Red Garland's straight-ahead jazz persona that manifests in trio, [more]
During a period of Dexter Gordon's (tenor sax) life -- when he was deep in the throws of chronic drug addiction -- the artist was miraculously able to reignite his career [more]
Thelonious Monk's Prestige recordings (reissued on three LP-length CDs) have been somewhat neglected through the years but, with the exception of a date for Vogue, they are the only [more]
Recorded a year after his last landmark Blue Note dates, this album finds Nichols performing in the familiar trio setting again -- this time with Mingus drummer Dannie [more]
The collaborations between Sonny Rollins and any given trumpet player were few and far between, but they did include such notables as Miles Davis, Don Cherry, Clifford Brown, and in [more]
Claude Williamson was one of the better bebop-oriented pianists to be active during the 1950s. This trio set with bassist Red Mitchell and drummer Mel Lewis has been reissued on [more]
Though it's sometimes relegated to second or third place among {Tormé}'s best albums of the '50s (behind {Mel Tormé and the Marty Paich Dek-Tette} and It's a Blue World), it's [more]