As he left Ellington said, 'It was lovely.' At 8:00 a.m., he and his band were off to an engagement in Oklahoma City. For Duke, it was back to business as usual, but, as Whitney Balliett wrote in The New Yorker, the maestro 'was finally given his due by his country.' -Doug Ramsey
One of the undeniable highlights of President Richard Nixon's administration was the 1969 White House gala celebrating Duke Ellington's 70th birthday, though jazz [more]
Recorded in 1960, Piano in the Background's title is a bit of a misnomer. While it's true that Duke Ellington often didn't appear on his recordings at all and [more]
This rare trio session by Duke Ellington (on which he is joined by bassist Aaron Bell and drummer Sam Woodyard) was the first of several in the early '60s that [more]
This late-period Duke Ellington album is perhaps most notable for including altoist Johnny Hodges' final recordings. In fact, Hodges was supposed to record his first soprano solo [more]
This set came about, in part, as a result of Ellington's signing to Frank Sinatra's Reprise label in November 1962, with the ending of his exclusive contract to [more]
This album has an excellent performance by the Duke Ellington Orchestra at a time when its commercial fortunes were near the bottom. The struggles however are not [more]
This album, Duke Ellington's revised version of his formerly 50-minute long "Black, Brown and Beige," has always been a bit of a disappointment. [more]
Still riding the success of his triumphant concert at the 1956 Newport Jazz Festival, Duke Ellington in 1958 decided to reduce his touring orchestra to a [more]
One of Duke Ellington's finest small group sessions from his final decade was this frequently exciting quartet date with guitarist Joe Pass, bassist Ray Brown and drummer [more]
Duke Ellington could have been forgiven if, by the time he was 67, he had gradually lost his creative desire not to mention his writing skills. But his genius [more]