This LP has a particularly strong all-around set by the Modern Jazz Quartet. While John Lewis' "Versailles" and an 11-minute "Fontessa" show the seriousness of the group (and the [more]
This album has an interesting concept, alternating four original blues with five adaptations of melodies from classical works by Bach. The Modern Jazz Quartet had long been [more]
This excellent double LP gives listeners a fine overview of The Modern Jazz Quartet's many recordings for the Atlantic label during a nine-year period. There are 15 selections taken from 13 different albums with the highpoints including
When Atlantic gets around to reissuing their many Modern Jazz Quartet records on CD, this should be one of the first to come back. The MJQ [more]
At the time, this two-record set was viewed as the end of an era. Now it only represents the climax of phase one. It's an excellent set, though -- among their best live efforts. ~ Ron Wynn, All Music Guide
Hailing from a trio of Modern Jazz Quartet (MJQ) sessions, Django (1955) contains some of the earliest sides that Milt Jackson (vibraphone), John Lewis (piano), Percy [more]
Long considered one of, if not the classic album from the Modern Jazz Quartet, European Concert defines them simultaneously as a recording entity as well as a working [more]
The Modern Jazz Quartet broke up after the concert documented on this double CD. It would be nearly seven years before the group got back together again but it certainly [more]
Having sponsored Ornette Coleman at the School of Jazz near Lennox, MA, pianist and composer John Lewis helped launch the controversial career of one of the last great [more]
The Modern Jazz Quartet (MJQ) delighted in violating stereotypes. During the 1950s, when jazz musicians were often unfairly portrayed as unreliable or [more]