One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova's greatest [more]
In spite of its rather bland album title, Recorded Fall 1961 is an overlooked masterpiece within the extensive discography of Stan Getz, not only because of his [more]
"You see, these things can be played with the string section of any symphony orchestra in the world, and they make great tour music…. The legitimacy of the past three hundred years and the soul of our modern times can be put together and be beautiful." —Stan Getz (in praise of composer Eddie Sauter)
A year or two shy of his bossa nova success, Stan Getz set his mind to improvising against a backdrop of darkish yet scintillating string charts. The orchestral muscle was provided by arranger [more]
Although the name Stan Getz (tenor sax) was initially synonymous with the West Coast cool scene during the mid-to-late 1950s, he likewise [more]
Stan Getz's final recording, a two-CD live set of duets with pianist Kenny Barron that was cut just three months before his death, finds the great tenor in surprisingly [more]
The only studio meeting between Stan Getz and Bill Evans took place over two days in 1964, with the aggressive drummer Elvin Jones and either Richard Davis or Ron [more]
It doesn't happen too often, but there are times when the title of a jazz album and the material within interface perfectly. Hence The Steamer, where Stan Getz joined forces with a super West [more]
In 1955 the difference between East/West Coast jazz was a hot topic, with critics and fans capable of taking zealous musical alliances with one or the other. The title of this disc, [more]
In that quintessential breakthrough year of modern jazz -- 1957 -- Norman Granz was fond of pairing the legendary drummerless trio of [more]
Stan Getz plays with five different lineups on the recordings from 1954 and 1955 featured on Stan Getz and the Cool Sounds. The cool-toned, mellow tenor [more]