"It is a new score, with its own integrity, order and action." —Jack Chambers, Miles Davis' biographer
Tomes are available annotating the importance of this recording. The musical and social impact of Miles Davis, his collaborative efforts with Gil Evans, and in particular [more]
Miles Davis' concert of February 12, 1964, was originally divided into two LPs, with all of the ballads put on My Funny Valentine. These five lengthy tracks (which include "All of [more]
In an odd bit of programming, Columbia placed the ballads from Miles Davis' February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP; all of the music has since [more]
Thought by many to be the most revolutionary album in jazz history, having virtually created the genre known as jazz-rock fusion (for better or worse) and being the jazz album to most [more]
Could there be any more confrontational sound in Miles Davis' vast catalog than the distorted guitars and tinny double-timing drums reacting to a two-note bass riff funking it up on the [more]
When Get Up with It was released in 1974, critics -- let alone fans -- had a tough time with it. The package was a -- by then customary -- double LP, with sessions ranging from [more]
None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Miles Davis' promise that he could form the "greatest rock [more]
There's little argument that the quintet Miles Davis led between 1965 and 1968 was one of the classic combos in the history of jazz. [more]
Simply put, this is another of Sony Legacy's three-pack deals. In these Collections, they place three well-known albums by a major artist in [more]
In conjunction with the release of Ken Burns' ten-part, 19-hour epic PBS documentary {#Jazz}, Columbia issued 22 single-disc compilations devoted to jazz's most significant artists, as [more]