This record is within the tradition...elegant....recommended. -*** 1/2, Downbeat, 1962
The Count and his orchestra tackle the music of the Fab Four, without any hint of condescension or lassitude. Indeed, the 11 songs by John Lennon and Paul McCartney and one [more]
One of Count Basie's few small-group sessions of the '60s was his best. With trumpeter Thad Jones and tenors Frank Foster and Eric Dixon [more]
It is a jazz band that can be danced to - that is, while you're not listening to this most swinging, most rollicking of jazz-band bands going today.
Following a brief lull earlier in the 1950s, Count Basie had rebuilt his big band by the time of this trio of studio sessions originally recorded for Clef. Among the musicians [more]
One of the staples in the Count Basie discography, April in Paris is one of those rare albums that makes its mark as an almost instant classic in the jazz pantheon. April in [more]
The release of this album in late 1957 marked the beginning of a glorious new phase in Count Basie's career. Signed to Roulette Records, the newly formed label owned by Morris Levy, [more]
In 1964, Count Basie handed the reins of his band over to composer and arranger Billy Byers, purportedly to modernize his sound to the times. More accurately, Byers energized the band [more]
This campy LP from the 1960s features the Count Basie Orchestra playing ten themes from four early James Bond movies, with arrangements by either Chico O'Farrill or George Williams. [more]
The Roulette half of the two Bennett/Basie sessions is a band singer's paradise, with the Basie band caught at a robust and swinging peak and Bennett never [more]
Although it appeared at a time when Count Basie was enjoying respect from all quarters (as evidenced by the pop acclaim of several Grammy awards and the jazz faithful's [more]