Jimmy Smith CDs

Creed Taylor matched two of his most famous artists, Wes Montgomery and Jimmy Smith, on this session (Montgomery's last for Verve), and the results are [more]

Of all of organist Jimmy Smith's big-band albums recorded for Verve, this is one of the most imaginative ones. Oliver Nelson arranged a variety of themes from Prokofiev's Peter & [more]

Further Adventures of Jimmy and Wes picks up where Dynamic Duo left off, digging a little further into the one-time-only Wes Montgomery/Jimmy Smith [more]

Most of organist Jimmy Smith's recordings for Verve during the mid-to-late '60s were with big bands, making this trio outing with guitarist Kenny Burrell and drummer Grady Tate a [more]

Damn! marked Jimmy Smith's return to the Verve label after an absence of 20-plus years (he originally recorded for the label from 1963 to 1972), and paired with a group of young and sympathetic [more]

After leading a series of notable jam sessions for Blue Note, organist Jimmy Smith signed a lucrative contract with Verve in 1962. Throughout the remainder of [more]

On his first album in more than five years, Jimmy Smith, who turned 75 shortly before the release date, attempts the soul-jazz version of what Santana did on Supernatural -- heavily [more]

Back at the Chicken Shack is one of organist Jimmy Smith's classic Blue Note sessions, and the first to draw attention to tenor saxophonist Stanley Turrentine. Recorded in [more]

Playing piano-style single-note lines on his Hammond B-3 organ, Jimmy Smith revolutionized the use of the instrument in a jazz combo setting in the mid-'50s and early '60s with his [more]

The Hammond organ mastery of Jimmy Smith is arguably nowhere as profound as on this collection. Support is provided by the formidable trio of Donald Bailey (drums), Kenny Burrell (guitar) [more]