Although it's missing some of her classic performances, the double-disc set Gospels, Spirituals & Hymns is nonetheless an excellent introduction to Mahalia Jackson, [more]
This expansive four-disc anthology essentially covers the recorded history of the guitar in the 20th century, beginning with the ragtime banjo that set the [more]
Some would undercut Page's greatness by merely calling him an Armstrong imitator who spent more time singing than blowing. But this best-of overview shows him to be a fine bandleader, [more]
As producer Michael Cuscuna explains in a helpful addendum, The Fabulous Sidney Bechet is a reissue of a reissue. The 1958 release combined two earlier 10" LPs recorded in [more]
Although a tribute to the music of the legendary cornetist Bix Beiderbecke, the ten selections on this 1955 LP are really jam sessions with no attempt to recreate Beiderbecke's recordings [more]
Eddie Condon and his band -- including Wild Bill Davison (cornet), Cutty Cutshall (trombone), Edmond Hall (clarinet), Gene Schroeder (piano), Walter Page (bass), Dick Cary [more]
In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of reissues covering much of [more]
Because this is a mix of solo sessions from one era (the late '40s and early '50s) and Hot Lips Page's work in the bands of Pete Johnson, Chu Berry, Teddy Wilson, and Billie Holiday [more]
Count Basie's Columbia years have long been debated, subject to apocryphal written data and legend because of the willy-nilly nature of his tenure with the label [more]
This outstanding tribute to Kansas City's premiere hot bandleader begins with "Moten Swing," recorded in 1932 near the end of "the Moten Dynasty" with Count Basie at the piano and Ben [more]
One of the finest bassists of the swing era, Walter Page rarely soloed but his four-to-the-bar walking behind soloists set the standard for bassists in the 1930s before the rise of Jimmy Blanton. A longtime resident of Kansas City, Page was with Bennie Moten in the early days (1918-1923) and then during 1925-1931 led the Blue Devils, Moten's main competition. Unfortunately Page's group only made two recordings and by 1931 Moten had achieved his goal of stealing most of the band's top players, including Page himself. After Moten's death in 1935, Walter Page achieved fame as part of Count Basie's unbeatable rhythm section (along with the pianist/leader, rhythm guitarist Freddie Green and drummer Jo Jones) during 1935-1942 and 1946-1949. He spent his remaining years playing with Eddie Condon's Dixieland bands and with his friends from the swing world, including Hot Lips Page, Jimmy Rushing, and various Basie alumni. Page collapsed on the way to filming {#The Sound of Jazz} and died shortly after at the age of 57. ~ Scott Yanow, All Music Guide