For this excellent album, trumpeter Donald Byrd teams up with tenor saxophonist Charlie Rouse, baritonist Pepper Adams, pianist Walter Davis, Jr., bassist Sam Jones and drummer Art [more]
Jackie McLean had always been a highly emotional soloist, so it makes sense that he was one of the first hard bop veterans to find a new voice in the burning intensity of jazz's [more]
The soundtrack to a documentary on the Blue Note label's history, Blue Note: A Story of Modern Jazz also works quite well as a introductory sampler for neophytes. [more]
It is difficult to believe after listening to this two-CD set, that Sonny Stitt only had six weeks left in his life; he already had cancer but did not know it. Switching [more]
This four-CD set is the perfect companion and complement to JSP's The Original Sonny Boy Williamson, Vol. 1, covering the blues harp legend's final eight years. John [more]
While never a contemporary superstar or latter-day legend on a par with many of his peers, singer/pianist Walter Davis was among the most prolific blues performers to emerge from the pre-war St. Louis scene, cutting over 150 sides between 1930 and 1952. Born March 1, 1912 in Grenada, Mississippi, Davis' two-fisted piano style bore the heavy influence of Leroy Carr, although he was better known for his funereal vocal style; he first attracted attention upon relocating to St. Louis during the mid-1920s, and soon made the first of his many recordings for the Victor label. Despite its abundance, his work -- much of it recorded in conjunction with guitarist Henry Townsend -- was solid but unspectacular, eclipsed by the likes of associates including Roosevelt Sykes and Peetie Wheatstraw; still, he enjoyed a fair amount of success before a stroke prompted him to move from music to the ministry during the early 1950s. Davis was still preaching at the time of his death on October 22, 1963. ~ Jason Ankeny, All Music Guide