This is a logical and very successful collaboration featuring the East Coast tenor Houston Person and L.A.'s legendary Teddy Edwards. Although one can generally tell the two [more]
Combining songs from two 1966 ABC-Paramount LPs (Unforgettable Songs by Johnny Hartman and side two of I Love Everybody) onto one CD, the Impulse! label presents this smooth-voiced [more]
Jimmy Witherspoon is heard in superior form throughout the two Pacific Jazz sessions included here. With fine backup and short solos from either Harry "Sweets" Edison (in top [more]
This essential single-CD combines altoist/arranger Benny Carter's classic Further Definitions with the related Additions to Further Definitions. The former set was [more]
Publishing can be an incredibly lucrative field. Whenever a rapper sampled a recording in the '80s and '90s, the person who owned the publishing stood to make some big [more]
While the critical jury is still out on his overall contribution to the form, the indisputable fact remains that until the arrival of Dizzy Gillespie and Charlie Parker in [more]
This two-CD anthology is full of veterans active in jazz for four decades or more apiece, including Jon Hendricks, Kenny Burrell, Cedar Walton, Teddy Edwards, Al McKibbon, Pete [more]
One of the most important yet overlooked figures in jazz is given his due with this amazing four-disc set on Proper. Going for the label's usual bargain-basement rate [more]
This is a logical and very successful collaboration featuring the East Coast tenor Houston Person and L.A.'s legendary Teddy Edwards. Although one can generally tell the two [more]
The Clifford Brown/Max Roach quintet was formed during the spring and summer of 1954 in Los Angeles. A concert by an early version of the group (with tenor [more]
Teddy Edwards was, with Dexter Gordon and Wardell Gray, the top young tenor of the late '40s. Unlike the other two, he chose to remain in Los Angeles and has been underrated through the years but remained in prime form well into his 70s. Early on, he toured with Ernie Fields' Orchestra, moving to L.A. in 1945 to work with Roy Milton as an altoist. Edwards switched to tenor when he joined Howard McGhee's band and was featured in many jam sessions during the era, recording "The Duel" with Dexter Gordon in 1947. A natural-born leader, Edwards did work briefly with Max Roach & Clifford Brown (1954), Benny Carter (1955), and Benny Goodman (1964), and he recorded in the 1960s with Milt Jackson and Jimmy Smith. But it was his own records -- for Onyx (1947-1948), Pacific Jazz, Contemporary (1960-1962), Prestige, Xanadu, Muse, SteepleChase, Timeless, and Antilles -- that best displayed his playing and writing; "Sunset Eyes" is Edwards' best-known original. ~ Scott Yanow, All Music Guide