When I went to Atlantic, they just sat me down at the piano and let me do my thing. -Aretha Franklin
Queen of Soul: The Atlantic Recordings is an 86-track, four-disc box set that covers Aretha Franklin's Atlantic career, spanning from 1967's {"I Never Loved [more]
Of the many albums recorded by the Thad Jones/Mel Lewis Orchestra, this was the greatest. Reissued on CD as part of a large Mosaic box set, this set introduced Jones' [more]
One of the giants of American popular song gets his due with this three-disc Verve box, comprising a trio of separately released compilations. Though Mercer's [more]
One of the lesser sessions from Cannonball Adderley's days with Capitol, Domination features arrangements by Oliver Nelson and William Fischer. Recorded in April of [more]
This CD has ten performances of Christmas songs from 1990 plus a few earlier recordings (Chet Baker's "Winter Wonderland," Count Basie's "Jingle Bells," Dexter Gordon's "Have [more]
The Roulette half of the two Bennett/Basie sessions is a band singer's paradise, with the Basie band caught at a robust and swinging peak and Bennett never [more]
Although it appeared at a time when Count Basie was enjoying respect from all quarters (as evidenced by the pop acclaim of several Grammy awards and the jazz faithful's [more]
This CD sampler draws its 18 selections from the Blue Note, Pacific Jazz, Roulette, Solid State and Capitol vaults. There are two selections apiece [more]
Blue Note designed Oscillatin' Rhythm: Great Swing Hits in Hi-Fi to appeal to Gen-X hipsters enamored with Sinatra, martinis, lounge music, cigars and [more]
Blue Bacharach: A Cooler Shaker features Blue Note interpreting Bacharach standards like "Always Something There to Remind Me," "I Say a Little Prayer," and
A great surviving stylist of the trumpet, Eugene "Snooky" Young is the absolute master of the plunger mute, an instantly recognizable star with whomever he plays. He can make his horn speak, shout, growl, and sigh with his mutes, while always swinging irresistibly. Yet Young has made his reputation almost entirely from within the bands who employ him, rarely stepping out on his own since leading his own band in his hometown Dayton from 1947 to 1957.
Young took up the trumpet at the age of five and first began to make a name for himself as the lead trumpeter of the Jimmie Lunceford band from 1939 to 1942. He briefly joined Count Basie in 1942, and moved on to the bands of Lionel Hampton and Gerald Wilson before re-joining Basie from 1945 to 1947, and again from 1957 until 1962. Upon leaving Basie, Young became a studio trumpeter at NBC, was a founding member of the Thad Jones-Mel Lewis Orchestra in 1966, and was constantly in demand for all kinds of sessions (including a live, recorded New Year's Eve gig with the rock group the Band in 1971). While at NBC in New York, he was a member of the Tonight Show Orchestra, moving to Los Angeles with the show in 1972 and holding down his chair until 1992, when Johnny Carson's departure broke up the band. Young has been busy in the L.A. area ever since, appearing regularly as a lead trumpeter in several local big bands, sounding as sharp and witty as ever into his late 70s. The self-effacing Young has issued only three albums under his own name, and of these, only Horn of Plenty (Concord) features Young as the sole headliner. ~ Richard S. Ginell, All Music Guide