Stan Kenton's 1952 Orchestra was a very interesting transitional band, still performing some of the complex works of the prior Innovations orchestra but also [more]
Bob Graettinger was arguably the most radical arranger to ever work in jazz. In fact, it is doubtful if any other big-band leader other than Stan [more]
Of the many albums recorded by the Thad Jones/Mel Lewis Orchestra, this was the greatest. Reissued on CD as part of a large Mosaic box set, this set introduced Jones' [more]
One of the giants of American popular song gets his due with this three-disc Verve box, comprising a trio of separately released compilations. Though Mercer's [more]
This LP contains six Bill Russo arrangements, five from Stan Kenton, and one by Lennie Niehaus. The repertoire features many songs not associated with Kenton (such as [more]
Between 1943-1961, the Stan Kenton Orchestra paved the way for a progressive style of big-band jazz that marked a departure from previous groups. For many, they epitomized [more]
Contemporary Concepts is one of the less-important Stan Kenton LP reissues on Creative World. Six veteran standards (all arranged by Bill Holman) and Gerry [more]
As a forceful and impressive showcase for the myriad talents of Burrell, this set would be hard to beat. ***** -Down Beat, 1965
Though this ranks as one of arranger Gil Evans' minor achievements in the grand scheme of things, for Kenny Burrell it was a career-defining moment, one of his most individual, [more]
Lester Young's influence on younger tenor players was at its height in the early-to-mid-'50s. This enjoyable session matches together the three tenors of Al Cohn, [more]
Unusual team; Giuffre (sax) fits in effectively. ~ Ron Wynn, All Music Guide
An excellent cool-toned tenor who found his own voice in the Lester Young-influenced Four Brothers sound, Richie Kamuca tended to be overshadowed by those who came first (such as Stan Getz, Zoot Sims, and Al Cohn) but musicians knew how good he was. Kamuca was a soloist with the orchestras of Stan Kenton (1952-1953) and Woody Herman (1954-1956), and then worked steadily on the West Coast with such groups as those led by Chet Baker, Maynard Ferguson, the Lighthouse All-Stars (1957-1958), Shorty Rogers, and Shelly Manne (1959-1961). He recorded one album apiece as a leader for Liberty, Mode, and Hi Fi (1956-1957); the latter two have been reissued by V.S.O.P. Moving to New York in 1962, Kamuca worked with Gerry Mulligan, Gary McFarland, and Roy Eldridge (1966-1971), but was fairly obscure. In 1972, he moved back to Los Angeles to work in the studios, but he also played jazz locally with small groups and with Bill Berry's L.A. Big Band. In his later years (1977) before his death from cancer (the day before his 47th birthday), Richie Kamuca recorded three wonderful albums for Concord. ~ Scott Yanow, All Music Guide