Rene Thomas was a Belgian guitarist who hoped to make it big on the international jazz scene following his move to Paris and a flurry of recording activity in the 1950s [more]
The first of two CDs of ballads put out by RCA that are meant to attenuate that "special mood," this is a hodgepodge collection of music easily available elsewhere. Starting [more]
When Stan Getz visited Paris to witness the French Open tennis matches, he would hang out at the Blue Note nightclub to hear how the locals did it, being told their jazz scene was [more]
Rene Thomas was a Belgian guitarist who hoped to make it big on the international jazz scene following his move to Paris and a flurry of recording activity in the 1950s [more]
One of the finest European jazz guitarists to emerge during the 1950s, {René Thomas} appeared on many sessions with Americans during the next few decades. Influenced as one might expect by Django Reinhardt, Thomas was mostly self-taught and by the 1950s he was a greatly in-demand cool-toned guitarist, playing in a style similar to Jimmy Raney's. In addition to performing with the top European jazz musicians, Thomas worked with Chet Baker (1955), lived in Montreal during 1958-1963, played with Toshiko Akiyoshi and Sonny Rollins, was back in Europe by 1963, and during the next few years worked with Kenny Clarke, Lou Bennett, and Han Bennink among many others. During the 1969-1972 period, Thomas was a member of Stan Getz's European Band (with whom he recorded Dynasty). He died of a sudden heart attack in Spain when he was 47. As a leader, Thomas recorded for Vogue (1954), Barclay, Polydor, Jazzland (1960), RCA, Royal Jazz, and the Italian Vogel label (1974). ~ Scott Yanow, All Music Guide