Raymond Fol's jazz arrangement of Antonio Vivaldi's "The Four Seasons" may have fallen into obscurity, but the French pianist's big band scoring of this classical [more]
In jazz, ballads have a way of separating the men from the boys and the women from the girls. They show what an improviser is made of emotionally. On ballads, [more]
The first of two CDs of ballads put out by RCA that are meant to attenuate that "special mood," this is a hodgepodge collection of music easily available elsewhere. Starting [more]
The second volume in RCA's Jazz at Midnight series continues in the mood of its predecessor, compiling 14 smooth, sultry tracks designed for romantic, after-hours [more]
Chet did everything out of love, everything that counts: Love and Music. But Love, as we all know, loved him less than Music. -Alain Gerber
Three years after bursting onto the U.S. scene with Gerry Mulligan, Chet Baker landed in France and made a string of albums for Barclay [more]
On Blue & Sentimental, tenor saxman Guy Laffite leads a quartet through a series of ballads originally composed by the likes of Count Basie (the title track), Duke Ellington ("Krum Elbow Blues"), and Ted Koehler ("Get Happy,"
Raymond Fol's jazz arrangement of Antonio Vivaldi's "The Four Seasons" may have fallen into obscurity, but the French pianist's big band scoring of this classical [more]
Lionized and showered with honors, Sidney Bechet settled down in Paris during the early 1950s, performing regularly in the company of traditional-minded French musicians before enthusiastic, [more]
The 17th and final installment in the Classics Django Reinhardt chronology contains the Gypsy guitarist's very last recordings. Its 22 tracks consist of Decca and Blue Star records [more]
Along with his brother Hubert, French pianist Raymond Fol made significant contribution to European jazz in the '50s,'60s and '70s. He started playing traditional jazz in a band with his brother and Boris Vian from 1945 to 1947. The Fols also played in The Be Bop Ministrels for two years, after which Raymond Fol worked with Jean-Claude Fohrenbach and then Django Reinhardt from 1949-1951. He recorded with Reinhardt the next year. Fol also recorded and played with Roy Eldridge, Johnny Hodges, Dizzy Gillespie, Sidney Bechet, Guy Lfitte and Stephane Grappelli in the '50s and '60s. He toured Europe with Gillespie in 1952. Fol played in Rome for a year in 1958, and led a trio at the Mars Club in Paris in 1961, occasionally doubling on celesta. He was a guest soloist with the Ellington orchestra in 1969 and 1974, and worked with Ellingtonians Paul Gonsalves in 1970 and Cat Anderson in 1977. ~ Ron Wynn, All Music Guide