One of the giants of American popular song gets his due with this three-disc Verve box, comprising a trio of separately released compilations. Though Mercer's [more]
This CD has ten performances of Christmas songs from 1990 plus a few earlier recordings (Chet Baker's "Winter Wonderland," Count Basie's "Jingle Bells," Dexter Gordon's "Have [more]
She's Billie Holiday. No, she's Ella Fitzgerald. No, wait, she's Dinah Washington. The conventional wisdom on Aretha Franklin's tenure at Columbia Records is that the label didn't [more]
This two-CD set gives one a good example of how Duke Ellington's Orchestra sounded in 1959. Greatly expanded from the original single LP, the release essentially brings [more]
Great Swing Classics in Hi-Fi collects the best moments from the '50s album series from Capitol Records, which featured state-of-the-art re-recordings of many great [more]
In conjunction with the release of Ken Burns' ten-part, 19-hour epic PBS documentary {#Jazz}, Columbia issued 22 single-disc compilations devoted to jazz's most significant artists, [more]
Although Rhino's four-disc box set, Q: The Musical Biography of Quincy Jones, was released to coincide with Quincy Jones' autobiography, and that's what gives [more]
Blues in Orbit lacks the intellectual cachet of the suites and concept pieces that loomed large in Ellington's recordings of this period, but it's an album worth [more]
As the Manhattan Transfer went on, so did the legacy of the jazz vocal ensemble. In that regard, though the competition was scarce, this group did elevate the [more]
All 3 volumes of the acclaimed Verve Gershwin Songbook series - presenting over 3 hours of great jazz singers and instrumentalists performing 48 [more]
A fixture with Duke Ellington's Orchestra in the 1950s, Quentin Jackson was Duke's best "wa-wa" trombonist (an expert with the plunger mute) post-Tricky Sam Nanton. His brother-in-law Claude Jones (who played with McKinney's Cotton Pickers) taught him trombone. Jackson played with Zack Whyte (1930), McKinney's Cotton Pickers (1931), Don Redman's Orchestra (1932-1940), Cab Calloway (1940-1948), and Lucky Millinder. He took occasional solos with those groups, and in the early days was a ballad singer. But most important were his contributions to Duke Ellington's music (1949-1960), both as a soloist and in the ensembles. After leaving Ellington, he toured Europe with Quincy Jones (1960), played with Count Basie (1961-62), recorded with Charles Mingus (1962), returned to Ellington (1963), and worked with the big bands of Louie Bellson and Gerald Wilson. Quentin Jackson was with the Thad Jones/Mel Lewis orchestra (1971-1975) near the end of his life. His only session as a leader resulted in four titles, in 1959, that were reissued by Swing. ~ Scott Yanow, All Music Guide