Peggy Lee
Albums
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Circle In The Sky; I Just Want To Dance All Night; He's A Tramp; There'll Be Another Spring; Johnny Guitar; [more]
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Upon its first release Beauty and the Beat! was billed as a live recording from a Miami convention of disc jockeys. Though Peggy Lee and George Shearing did in fact [more]
- List Price: $16.99
- Member Price: $11.98
Peggy Lee was at the top of her fame and game in 1960 when she had great success at a lengthy sold-out engagement at Basin Street East. She did so well that it was [more]
- List Price: $16.99
- Member Price: $11.98
Mink Jazz from 1962-63 features Lee with a septet/octet performing concise versions of 17 selections, including five that were not on the original LP. Benny [more]
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- Member Price: $8.49
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- Member Price: $15.36
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Peggy Lee recorded hundreds of titles during the '40s and '50s, 61 of which were picked up by MasterSong for this set, a fine collection of hits and standards. Present are most [more]
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Appearances
JHS Exclusive!
Circle In The Sky; I Just Want To Dance All Night; He's A Tramp; There'll Be Another Spring; Johnny Guitar; [more]
- List Price: $16.99
- Member Price: $7.99
Upon its first release Beauty and the Beat! was billed as a live recording from a Miami convention of disc jockeys. Though Peggy Lee and George Shearing did in fact [more]
- List Price: $16.99
- Member Price: $11.98
Peggy Lee was at the top of her fame and game in 1960 when she had great success at a lengthy sold-out engagement at Basin Street East. She did so well that it was [more]
- List Price: $16.99
- Member Price: $11.98
Mink Jazz from 1962-63 features Lee with a septet/octet performing concise versions of 17 selections, including five that were not on the original LP. Benny [more]
- List Price: $16.99
- Member Price: $11.98
A really cool CD, and one of the better Goodman volumes, despite its 16 songs being drawn from across five years (1941-1946). Most of the material is instrumental [more]
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- Member Price: $3.98
In the pantheon of jazz singers, the great tunes of George and Ira Gershwin have always been favorites. Special vocalists can make these [more]
- List Price: $16.99
- Member Price: $11.98
Jingle Bell Swing is a refreshing idea in a Christmas collection, assembling a host of top-notch jazz musicians to breathe new life into the old holiday standbys. Big names [more]
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- Member Price: $11.98
Benny Goodman's volume in the Ken Burns Jazz series ranges from one of his first recording appearances, on a 1927 side by Ben Pollack, all the way to the late '50s. Of the 22 tracks, [more]
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![War: A Ken Burns Film [Deluxe Edition]](/cache/JHS/j0/130x130_j02976ig9ta.jpg)
The War, directed by Ken Burns, was a seven-part documentary series broadcast on PBS television in 2007, focusing on the experiences of American [more]
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This excellent collection of songs from the "War Years" includes The Andrews Sisters, Frank Sinatra, the Dorsey Brothers, and Harry James, among others. It's great for the novice. ~ Kenneth M. Cassidy, All Music Guide
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Biography
- Born May 26th 1920 in Jamestown, ND
- Died Jan 21st 2002 in Los Angeles, CA
Peggy Lee's alluring tone, distinctive delivery, breadth of material, and ability to write many of her own songs made her one of the most captivating artists of the vocal era, from her breakthrough on the Benny Goodman hit "Why Don't You Do Right" to her many solo successes, singles including {"Mañana,"} "Lover" and "Fever" that showed her bewitching vocal power, a balance between sultry swing and impeccable musicianship.
Born Norma Egstrom in Jamestown, North Dakota, she suffered the death of her mother at the age of four and endured a difficult stepmother after her father remarried. Given her sense of swing by listening to Count Basie on the radio, she taught herself to sing and made her radio debut at the age of 14. She made the jump to Fargo (where she was christened Peggy Lee), then to Minneapolis and St. Louis to sing with a regional band. Lee twice journeyed to Hollywood to make her fortune, but returned unsuccessful from both trips.
She finally got her big break in 1941, when a vocal group she worked with began appearing at a club in Chicago. While there, she was heard by Benny Goodman, whose regular vocalist Helen Forrest was about to leave his band. Lee recorded with Goodman just a few days later, debuting with the popular "Elmer's Tune" despite a good deal of nerves. That same year, several songs became commercial successes including {"I Got It Bad (And That Ain't Good)"} and "Winter Weather." In 1943, "Why Don't You Do Right" became her first major hit, but she left the Goodman band (and the music industry altogether) later that year after marrying Goodman's guitarist, Dave Barbour.
After just over a year of domestic life, Peggy Lee returned to music, first as part of an all-star jazz album. Then, in late 1945, Capitol signed her to a solo contract and she hit the charts with her first shot, "Waitin' for the Train to Come In." Lee continued to score during the late '40s, with over two dozen chart entries before the end of the decade, including "It's a Good Day," {"Mañana (Is Soon Enough for Me)"} -- the most popular song of 1948 -- and "I Don't Know Enough About You." Many of her singles were done in conjunction with Barbour, her frequent writing and recording partner.
After moving to Decca in 1952, Peggy Lee scored with the single "Lover" and an LP, Songs From Pete Kelly's Blues recorded with Ella Fitzgerald (both singers also made appearances in the film). She spent only five years at Decca however, before moving back to Capitol. There, she distinguished herself through recording a wide variety of material, including songs -- and occasionally, entire LPs -- influenced by the blues, Latin and cabaret as well as pop. Lee also used many different settings, like an orchestra conducted by none other than Frank Sinatra for 1957's The Man I Love, the George Shearing Quintet for 1959's live appearance Beauty and the Beat, Quincey Jones as arranger and conductor for 1961's If You Go, and arrangements by Benny Carter on 1963's Mink Jazz. Barbour's problems with alcoholism ended their marriage, though they remained good friends until his death in 1965.
Peggy Lee was an early advocate of rock and made a quick transition into rock-oriented material. Given her depth and open mind for great songs no matter the source, it wasn't much of a surprise that she sounded quite comfortable covering the more song-oriented end of late-'60s rock, including great choices by Jimmy Webb, Buffy Sainte-Marie, Burt Bacharach, Randy Newman, Goffin & King and John Sebastian. She nearly brushed the Top Ten in 1969 with Leiber & Stoller's "Is That All There Is?" She continued recording contemporary material until 1972's Norma Deloris Egstrom From Jamestown, North Dakota brought her back to her roots. It was her last LP for Capitol, however. Lee recorded single LPs for Atlantic, A&M, Polydor UK and DRG before effectively retiring at the beginning of the 1980s. She returned in 1988 with two LPs for Music Masters that revisited her earlier successes. Her last album, Moments Like This, was recorded in 1992 for Chesky. Her voice was effectively silenced after a 1998 stroke, and she died of a heart attack at her Bel Air home in early 2002. ~ John Bush, All Music Guide
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