Nat Adderley

This two-LP set combines together two of cornetist Nat Adderley's finest albums: Work Song and That's Right. Both dates have since been reissued separately on CD. The former set [more]

It is a bit strange that none of the eight songs performed on this LP found their way into Adderley's permanent repertoire, for the altoist is quite inspired [more]

P. Bouk; A few words from Cannonball; Gemini; Work Song; More words from Cannonball; Trouble in Mind; Dizzy's Business.
Julian [more]

One of the lesser sessions from Cannonball Adderley's days with Capitol, Domination features arrangements by Oliver Nelson and William Fischer. Recorded in April of [more]

Although released in the usually consistent Columbia Jazz Masterpieces series, this recording is a mere sampler of trombonist J.J. Johnson's 1957-60 recordings. The nine selections [more]

The music is predictable but pleasing on this consistent CD, recorded at the 1960 Newport Jazz Festival. Cannonball Adderley's Quintet (with trumpeter Nat [more]

Thanks to its ownership of some of Cannonball Adderley's Riverside recordings, Capitol was able to stretch the definition of Best of Cannonball [more]

When 1965-1972 was first released a decade ago, all of the music was being put out for the first time. The 15 selections are from 10 different [more]

Cannonball Adderley's most popular album, Mercy, Mercy, Mercy wasn't actually recorded "Live at 'The Club'," as its subtitle says. The hoax was [more]

Recorded in early 1960, Them Dirty Blues contains two classic jazz compositions: Nat Adderley's "Work Song" and Bobby Timmons' "Dat Dere," the sequel to "This Here." This was [more]

In 1963 Cannonball Adderley signed with the Capitol label, retaining the rights to some master tapes recorded earlier while he was with Riverside. This CD (a straight [more]