One of contemporary jazz's most durable and popular saxmen, Richard Elliot has also been one of the genre's most self-sufficient. His 1986 debut album Initial Approach was produced by [more]
The Montreux Jazz Festival has made this exquisite resort town tucked into a corner of Lake Geneva, towered over by the hulking Alps a household name in jazz households. But by [more]
More than most jazz lite artists, Peter White flaunts a restless improvisational sense, which is fully evident on Glow. Aside from a few incidental fills tossed into the breeze by this or that [more]
The title is self-explanatory: guitarist Chuck Loeb has scored no less than a dozen number one hits on radio charts for smooth jazz. He's also played on literally hundreds of [more]
Mitchel Forman has had a continually surprising career. After graduating from the Manhattan School of Music (1978), he recorded three solo acoustic piano albums for the Japanese New Wave and Soul Note labels and worked with Stan Getz, Gerry Mulligan, Carla Bley, and {Mel Tormé}. However, he made his strongest impression on electric keyboards, playing with the re-formed Mahavishnu Orchestra, Wayne Shorter, and recording for Magenta (1985) and Novus (1991). Forman surprised many by performing a very effective Bill Evans tribute for Novus (1992) with an acoustic trio, but then went back to playing modern fusion on Lipstick (1993). He also played on Richard Elliot's 1997 album Jumpin' Off before releasing Hand Made in 1998 and Patience with his trio two years later. Mr. Clean appeared in spring 2001. Talented on both acoustic and electric keyboards, Mitchel Forman's progress should be well worth watching. ~ Scott Yanow, All Music Guide