While this two-CD set does cover a lot of the material Maynard Ferguson recorded between the mid-'50s and late '90s, it suffers from a chronological imbalance that [more]
After his specially assembled "Birdland Dreamband" broke up, trumpeter Maynard Ferguson put together a regular big band that would exist for the next decade. This Mercury [more]
Maynard was shrewd, and Maynard was quick, and he managed to beat almost everyone to the punch -- sorry -- when he recorded the theme from {#Rocky} and watched it rise to number 28 [more]
In 1956 Maynard Ferguson had the opportunity to put together a "dream band." Fortunately (in addition to a tour), the orchestra cut a pair of albums, most of which is [more]
Stan Kenton's 1952 Orchestra was a very interesting transitional band, still performing some of the complex works of the prior Innovations orchestra but also [more]
The classic songs of Richard Rodgers and Lorenz Hart are rendered on this outstanding three-disc set, which features vocalists like Billie Holiday, Ella Fitzgerald, [more]
Bob Graettinger was arguably the most radical arranger to ever work in jazz. In fact, it is doubtful if any other big-band leader other than Stan [more]
This is not and cannot be the Complete Cole Porter Songbooks, but it's a marvelous collection of 48 timeless jazz interpretations drawn from the Verve catalog. [more]
When bandleader Stan Kenton was approached to record an album of holiday music in 1961 he agreed, on one condition -- no songs about singing snowmen or flying reindeer. The resulting [more]
One of the giants of American popular song gets his due with this three-disc Verve box, comprising a trio of separately released compilations. Though Mercer's [more]
This LP contains six Bill Russo arrangements, five from Stan Kenton, and one by Lennie Niehaus. The repertoire features many songs not associated with Kenton (such as [more]
While most of Stan Kenton's recordings in the 1950s tend to be complex and sometimes bombastic, his versions of standards could often be sentimental and very melodic. This LP [more]
During 1950-51, Stan Kenton did the unthinkable by putting together a 40-piece orchestra that included a full string section. The music was quite uncommercial, complex, and [more]
The pairing of premier era-gone-by pianist/crooner Michael Feinstein and the legendary Maynard Ferguson Big Band is such a rousing success that [more]
When he debuted with Stan Kenton's Orchestra in 1950, Maynard Ferguson could play higher than any other trumpeter up to that point in jazz history, and he was accurate. Somehow he kept most of that range through his career and since the 1970s has been one of the most famous musicians in jazz. Never known for his exquisite taste (some of his more commercial efforts are unlistenable), Ferguson nevertheless led some important bands and definitely made an impact with his trumpet playing.
After heading his own big band in Montreal, Ferguson came to the United States in 1949 with hopes of joining Kenton's orchestra, but that ensemble had just recently broke up. So instead, Ferguson gained experience playing with the big bands of Boyd Raeburn, Jimmy Dorsey, and Charlie Barnet. In 1950, with the formation of Kenton's Innovations Orchestra, Ferguson became a star, playing ridiculous high notes with ease. In 1953, he left Kenton to work in the studios of Los Angeles and three years later led the all-star "Birdland Dreamband." In 1957, he put together a regular big band that lasted until 1965, recorded regularly for Roulette (all of the band's recordings with that label are on a massive Mosaic box set) and performed some of the finest music of Ferguson's career. Such players as Slide Hampton, Don Ellis, Don Sebesky, Willie Maiden, John Bunch, Joe Zawinul, Joe Farrell, Jaki Byard, Lanny Morgan, Rufus Jones, Bill Berry, and Don Menza were among the more notable sidemen.
After economics forced him to give up the impressive band, Ferguson had a few years in which he was only semi-active in music, spending time in India and eventually forming a new band in England. After moving back to the U.S., Ferguson in 1974 drifted quickly into commercialism. Young trumpeters in high school and colleges were amazed by his high notes, but jazz fans were dismayed by the tasteless recordings that resulted in hit versions of such songs as the themes from {#Star Wars} and {#Rocky} and much worse. After cutting back on his huge orchestra in the early '80s, Ferguson recorded some bop in a 1983 session, led a funk band called High Voltage during 1987-1988, and then returned to jazz with his "Big Bop Nouveau Band," a medium-sized outfit with which he toured the world up until his death from kidney and liver failure on August 23, 2006. ~ Scott Yanow, All Music Guide