Marty Ehrlich

Marty Ehrlich's music tends to be both melodic and exploratory, comfortable yet full of unexpected twists and turns. Switching between four reeds on his quintet set (which co-stars [more]

Marty Ehrlich has long been one of the most versatile horn players in the avant-garde and post-bop jazz world. On this set, Ehrlich mostly sticks to alto sax other than a few pieces [more]

Marty Ehrlich's music tends to be both melodic and exploratory, comfortable yet full of unexpected twists and turns. Switching between four reeds on his quintet set (which co-stars [more]

Acoustic guitarist James Emery is a remarkable technician who possesses an identifiable sound and style, which is glowingly evident on this super fine [more]

James Emery's 1999 album, Spectral Domains, features more of his state-of-the-art chamber jazz. Emery's skillful, poetic jazz guitar is augmented by violin, sax, vibes, [more]

Sync finds accomplished reedsman Ned Rothenberg in a trio with Jerome Harris, on both acoustic bass guitar and guitar, and Samir Chatterjee, who provides hand percussion. The [more]

Over the course of 15 plus recordings since 1987, Bobby Previte has learned that sometimes the best projects result from pure and unexpected serendipity. One of the original [more]

Randy Sandke is known as a superb interpreter of classic jazz, mainstream jazz, and swing, but this ear-opening CD will surprise more than a few listeners. Along with a cast of his [more]

Bobby Previte's Bump has the same instrumentation as the Jazz Crusaders (tenor saxophonist Marty Ehrlich, trombonist Curtis Fowlkes, keyboardist Wayne Horvitz, electric [more]

Marty Ehrlich has long been one of the most versatile horn players in the avant-garde and post-bop jazz world. On this set, Ehrlich mostly sticks to alto sax other than a few pieces [more]