His technique is out of sight; he has very big ears and a beautiful time conception. Larry Young is where jazz is going on the organ! -Woody Shaw
On Unity, jazz organist Larry Young began to display some of the angular drive that made him a natural for the jazz-rock explosion to come barely four years later. While about as far from the [more]
The late Larry Young was an organist whose fairly brief career had lots of highs and very few middles or lows. Take this session from 1973 -- his first non-Blue Note date as a [more]
"Life is an adventure and a challenge." —Miles Davis
Despite the presence of classic tracks like Joe Zawinul's "Great Expectations," Big Fun feels like the compendium of sources it is. These tracks are all outtakes from other sessions, most [more]
Thought by many to be the most revolutionary album in jazz history, having virtually created the genre known as jazz-rock fusion (for better or worse) and being the jazz album to most [more]
His technique is out of sight; he has very big ears and a beautiful time conception. Larry Young is where jazz is going on the organ! -Woody Shaw
On Unity, jazz organist Larry Young began to display some of the angular drive that made him a natural for the jazz-rock explosion to come barely four years later. While about as far from the [more]
Blue Note's So Blue, So Funky, Vol. 1 is a 12-track compilation that highlights the funkiest soul-jazz organists that recorded for the label, whether it was a leader or as a [more]
Tony Williams' Emergency was one of the first and most influential albums in late-'60s fusion, a record that shattered the boundaries between jazz and rock. Working with [more]
The late Larry Young was an organist whose fairly brief career had lots of highs and very few middles or lows. Take this session from 1973 -- his first non-Blue Note date as a [more]
Grant Green's second session with organist Larry Young, Street of Dreams brings back drummer Elvin Jones and adds Bobby Hutcherson on vibes for a mellow, dreamy album that lives up [more]
This album is from a pivotal moment in McLaughlin's history. This was just after he left Miles' group, but before Mahavishnu Orchestra started, and the music captures this moment [more]
At first glance, it would seem like an impossible task to summarize Miles Davis' career into a succinct double-disc set. Still, a career as multifaceted and [more]
If Jimmy Smith was "the Charlie Parker of the organ," Larry Young was its John Coltrane. One of the great innovators of the mid- to late '60s, Young fashioned a distinctive modal approach to the Hammond B-3 at a time when Smith's earthy, blues-drenched soul-jazz style was the instrument's dominant voice. Initially, Young was very much a Smith admirer himself. After playing with various R&B bands in the 1950s and being featured as a sideman with tenor saxman Jimmy Forrest in 1960, Young debuted as a leader that year with Testifying, which, like his subsequent soul-jazz efforts for Prestige, Young Blues (1960), and Groove Street, (1962), left no doubt that Smith was his primary inspiration. But when Young went to Blue Note in 1964, he was well on his way to becoming a major innovator. Coltrane's post-bop influence asserted itself more and more in Young's playing and composing, and his work grew much more cerebral and exploratory. Unity, recorded in 1965, remains his best-known album. Quick to embrace fusion, Young played with Miles Davis in 1969, John McLaughlin in 1970, and Tony Williams' groundbreaking Lifetime in the early '70s. Unfortunately, his work turned uneven and erratic as the '70s progressed. Young was only 38 when, in 1978, he checked into the hospital suffering from stomach pains, and died from untreated pneumonia. The Hammond hero's work for Blue Note (as both a leader and a sideman) was united for Mosaic's limited-edition six-CD box set The Complete Blue Note Recordings. ~ Alex Henderson, All Music Guide